I have no team business-wise. I should mention that I have no assistant or team at all.

I have reached the point in my career where I can choose my collaborators and the artists I want to create with. My Kinetic Light partners, Laurel Lawson and Michael Maag, are my dream collaborators, and Kinetic Light is the place, time, and people with whom I am making some of the most creative and meaningful work of my life.

The people that already do it, Lourdes Dooley, Aaron Mulliss, Nick Bearshaw, Claire Kreigenfeld and all of their amazing support team, and of course the amazing Alex Longstaff who has to deal with my childish antics on an hourly basis.

You're missing it. This is not a one-man show. What's reinvigorating this company is two things: One, there's a lot of really talented people in this company who listened to the world tell them they were losers for a couple of years, and some of them were on the verge of starting to believe it themselves. But they're not losers. What they didn't have was a good set of coaches, a good plan.

This time I wanted to live a bit more, which is why I wanted to do it in London. I didn’t want to entirely give up my social life, my personal life. I didn’t want it to become a 24/7 thing for me. I got to go home at night to my own home and maybe go out to drink with a mate or spend time with my dog and my partner.

Anyone who is a carer.

I wanted to get into music, I was answering ads in the paper, crazy stuff, really. I met people in a band, [and] ended up going to Antwerp, Belgium.

I like collecting rocks,” she smiles. “I’m obsessed with them. I don’t pick up any old rock; it has to have some kind of interest.

I start out with an idea, and then you start making things and it turns into something else. You’re just finding your way.

Most recently, when I was tobogganing in Italy.