I start out with an idea, and then you start making things and it turns into something else. You’re just finding your way.
Bradley Stern, PAPER Magazine, 12 May 2023 source ↗
The question
How does a new work begin for you?Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
I start out with an idea, and then you start making things and it turns into something else. You’re just finding your way.
Bradley Stern, PAPER Magazine, 12 May 2023 source ↗
Then I think to myself, Well, start. Start. Start.
What I notice or discover has to grow in my mind. I always wait until the ideas and impulses are so strong that they invade my mind and I have to pursue them.
It’s different for every project for me. Books are a combination of character, plot, and setting. And every book I write, I could point out and say, oh, there was the first idea . Usually they’re growing separately , a couple ideas for the plot, a couple seeds for characters. An idea for a magic system or a governmental structure. Those will be growing independently in my notes file. I know I have a book when these different elements start to meld together in my brain, and change each other in interesting ways. I’ll start to say, all right, these two ideas belong together. Here’s this character who belongs in this plot. Is there a setting that I’ve been developing that also enhances this?
Obviously, it’s different for everyone. And actually there is a difference for each thing I do. But one way it happens is to just move. [ laughs ] I mean, obviously, you don’t just sort of randomly throw yourself around the room. You move with these ideas and sometimes I find that I’ve already got images in my head that I imagine my body in, or sometimes I have sequences in my head. I think a lot of time I’m listening to what comes next because sometimes the body will tell you that. Often I don’t document it too early in the process because sometimes if you forget stuff it’s worth knowing that the things that you forget maybe weren’t worth keeping. The things that have settled are the things that need to be kept because they seem most urgent. I don’t know. I mean, sometimes it’s about going to the studio and nothing happens for a long time and you just sit there and you’re not feeling it. That’s awful. It’s like when you’re writing and sometimes you go to the coffee shop and you’re like, “So, we’ll just see what happens.” And you end up on Facebook. I think the answer to this is… I really think the answer to this is I don’t know. [ laughs ]
Most recently, when I was tobogganing in Italy.
Lack of confidence.
Laziness.
Love is everything.
Probably something else I learned at art school, which is the ability to make something from very little using your own imagination. That’s the building block of my career.
Having a hot cross bun for breakfast this morning.
Ramin Djawadi, Black Belt Eagle Scout, Alessia Cara, Danny Elfman, Haley Blais, Bells Larsen
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