My father was a lawyer. My mother was a homemaker. My father was president of the Egyptian Bar Association. He was involved very much during the Nasser era — which was one of the most repressive eras in Egyptian history — in fighting for democracy, fighting for human rights, and I think that to a lot of extent shaped my view as to what I wanted to do in the future. I wanted to have a world where people are free to express their views, to have freedom of worship, to have freedom from want, and I saw poverty in Egypt when I grew up. To me, freedom, in the larger sense — to be able to speak, to worship, free from want, free from fear — I think it was a key as to what I thought I would like to do when I grow up.

In high school, I had a teacher who influenced me greatly, Miss Olive J. Williams, and she was versatile in music, and I wanted to be like her. She exposed me to the world of classical music. Before then, I had never heard classical music. She exposed me also to the great composers of the world, as well as black performers, which I didn’t know about at the time: Marian Anderson, Paul Robeson, Roland Hayes and Dorothy Maynor and others.

There are three teachers who are still involved in my life. Ray Wilson — who is my office manager, and who was a teacher in my high school, as well as my basketball coach in high school — is very much involved in my life, and is a real father figure for me. A gentleman named Earl Mosley, who never specifically taught me, but was always there, and was a role model for me, was a coach when I was a freshman. And then a guy named Charles McIlwaine, who is a teacher and a coach. In my high school years those three really stood out, really helped to become part of the support group that’s necessary when you’re experiencing all types of physical changes and mental changes, to help to explain things, and put them in the proper perspective.

I recall when I was about nine picking up a tattered copy of Ebony magazine and I think — I mean, maybe journalists ought to know just how much power they actually have because here I was 10,000 miles away from America with this copy of Ebony magazine and it was describing the exploits of Jackie Robinson and how he broke into major league baseball. Now I didn’t know baseball from ping pong but what was so important for me, what made me grow inches was to know that a black guy had triumphed over all of the obstacles that were placed in his way and there he was now playing for something called Brooklyn Dodgers. Now I didn’t know Brooklyn Dodgers. I didn’t know Jackie, but it helped to exorcise what is the most awful consequence of racial injustice and it is the sense — this demon of self-hate when you have a very low self-esteem.

I have never really studied them very much. I think that I was proud of — not just what I did — but my staff played obviously a major part, did in popularizing the sport, with the early promotional activities of NFL Properties, merchandising, NFL Films, all the work that we put on the Super Bowl to make that a top attraction. All those things, I feel very good about, but I think they played a big part in popularizing the league.

It was a very simple thing. It was a church camp, I think. I was there about two or three days, very young, and I just remember some counselor telling us that reputation is what people think you are, and your character is what you are. So if you have a bad reputation, you might as well have a bad character, and it pays to have a good reputation and a good character.