What do you do when you feel creatively blocked or stuck?

Originally asked

The Creative Independent, to working artists, its interview series

A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Chelsea Wolfe said elsewhere, not written here
If I start to feel stagnant, going to see a good show always helps. Watching a great band makes me want to play music. Like, when we opened for Queens of the Stone Age a few years back. I was unsure where I wanted to go next musically, and had a feeling, like maybe I should do another acoustic album… I was starting to put some invisible pressure on myself instead of letting my instincts lead. But after a couple nights of watching Queens play these rock ‘n’ roll songs that have been my favorites for years, it was like, “No, fuck that, I want to play heavy music and let some aggression out,” so then I started working on Abyss .

Brandon Stosuy, The Creative Independent, 9 October 2017 source ↗

Others on this question

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In my own life I think there are times when I’m not in the mood to write, but I don’t consider that to be writer’s block. If I really don’t want to enter my own book in progress, I’ll try to think about why and find a way around that. So I start from the beginning cleaning it up. Almost treat it like it’s a messy room and clean it up. Or if there’s a scene that I don’t want to write because it bums me out, maybe I’ll just work on a different scene and come back to it. Or I’m having trouble writing because I haven’t done enough research. So I go do the research. I try to troubleshoot, or figure out what the underlying reason is.
Recorded Scarlett Harris, The Creative Independent interview source ↗
Hayden Pedigo Guitarist, artist and model
If by the second or third day I’m stuck and it’s not working, I usually will scrap it. I find an open tuning and start picking around until I find a melody or something I like. I follow that melody to the end of the song. I have to be willing to scrap the entire thing and move on because I can’t waste a lot of time. Everyone has a different approach with writing, this long excursion, excavating out of the ground, like you’re digging and finding it can be this long process. For me it’s more like following a bird. If it flies away too quickly, it just wasn’t meant to be.
Recorded Jeffrey Silverstein, The Creative Independent, 12 March 2024 source ↗
I get really mad, and I’m like, “Well, I have to solve it.” I think of these things sometimes even as math problems. I take a photo of it, I turn it away, and I look at it in my phone a lot. An image becomes much less scary to solve when it’s not eight feet tall, but it’s eight centimeters tall. When I’m going to bed, I’m obsessively in the finger drawing app on my phone, and I try and figure out what to do with it. Eventually, I’ll figure out the answer, and then turn the painting back around and fix it, but it’s way harder to do when you’re just staring at the giant thing.
Recorded Emily Wilson, The Creative Independent, 17 July 2024 source ↗
Cheryl Strayed Author of Wild and Tiny Beautiful Things
When it comes to getting to work, my trick is to conjure my inner-nun-with-a-ruler-in-hand and simply force myself to begin. Beginning is about three-quarters of the battle for me. Once I’m into the work, it’s so much more interesting than anything happening on Facebook.
Recorded Elissa Bassist, Creative Nonfiction source ↗

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