Which writers or artists most influenced your work?
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A durable Art of Fiction question asked through named literary influences and artistic models.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Recorded
Ernest J. Gaines
·
said elsewhere, not written here
I read Turgenev, Ivan Turgenev’s Fathers and Sons , and that book had a tremendous impact on me. It was about a young man who came back to the old village to visit the old people after he had graduated from his university, and he used to be a doctor, and falls in love with a beautiful woman and all that sort of thing. They lived out in the country. When I was writing my first novel, Catherine Carmier — I started writing it in ’58, I think, ’58, ’59 — I knew nothing about writing a novel, and I used that Fathers and Sons as sort of my Bible, my guide. My first novel was about a young man who had been away from the old place, and then returning, and falls in love with a beautiful girl, and he loses her. I was really very much impressed by — influenced by — Turgenev’s Fathers and Sons at that time, but then I started reading other books, of course. I was reading other books at the same time, but that was the book that had the earliest influence on my structure
Academy of Achievement interview, San Antonio, Texas, 4 May 2001
source ↗
Mohamed ElBaradei
Director General of the International Atomic Energy Agency, 1997-2009; Nobel Peace Prize 2005
One of my mentors, Tom Frank, a professor of law at NYU, he was really instrumental in making me understand that we need to look at the global picture, and we always need to not take anything for granted, but go very much through a process of critical thinking before we formulate our views. So he was, I think, instrumental in shaping my views as to how to pursue my career in the future.
Recorded
Academy of Achievement interview, 2006
source ↗
No. Although I have to qualify that. Though he was, by jazz standards, a very square composer, he was, by musical theater standards, a not square composer, and he taught me to be less square. I tend to be square.
Recorded
Academy of Achievement interview, Los Angeles, California, 5 July 2005
source ↗
And then Octavia, I open up her books and the protagonist is a Black girl. And both the Blackness and the youth matter here, that it was like, she was writing people who were 15 years old and who already had a sense of destiny and a sense of, the world needs to change, and I’m going to shape that. I’m going to be a part of that. And she was very solution-oriented in her writing, she was very practical in her writing, so everything is very clear. You’re not going to read Octavia and come away confused.
Recorded
On Being, interviewed by Krista Tippett, 3 July 2024
source ↗
Truffaut, Rohmer, Claude Chabrol, they were the great directors of the Nouvelle Vague. They found the freedom to make exactly the films they wanted. Chabrol was important because he was able to make very strong portraits of women and very complex portraits of women. He was very clever and he had a lot of joy and pleasure. He didn’t have some big theories about his work, he just enjoyed making films. I try to work like that.
Recorded
The Talks, published interview, 16 July 2014
source ↗
Question
Which teacher, parent, coach or friend most made you who you are, and what did you learn from them?
Relationships
My great aunt was probably the greatest influence in my life. She was crippled. She never walked in her life. She crawled over the floor all her life. When my mother had to go out into the fields when we were smaller children, and then later go to California, she left us with my aunt, and my aunt could do everything except walk. She cooked the food for us, would bring everything to the stove. We had an old wood-burning stove. She cooked the food for us. She washed our clothes on this old washboard. We had to bring all the stuff there, the water, the soap, the washboard itself. She also disciplined us. So we had to break our own switch to get our punishment if we did something wrong. So we’d go out and break our own switch and come back and take our punishment.
Recorded
Academy of Achievement interview
source ↗
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