People refer to the ‘LMB culture’ as the thing, one of the things, that makes it special. It’s an attention to people who are willing to tackle very big problems. I mean problems that are so big that you couldn’t just solve it in a grant. The kind of problem that you could devote your life to. I was very fortunate in having mentors of Fred Sanger and César Milstein who exercised a kind of very benign mentorship but encouraged us to think big.

My mother made the same brilliant impression upon my childhood's eye. She shone for me like the Evening Star. I loved her dearly—but at a distance. My nurse was my confidante. Mrs. Everest it was who looked after me and tended all my wants. It was to her I poured out my many troubles, both now and in my schooldays.

Yes, I’m part of the Rolex mentoring programme for the 2023-2024 season, and my mentor, the architect Anne Lacaton, is actually the one who suggested I should do a project here. I explained in my application about how much influence it’s had on me, so she told me we should take advantage of this time together and work on something in my hometown. Her guidance has been so crucial, especially because I have such strong personal ties to the area, she’s been extremely helpful in reminding me of what my role is as an architect.

Anyhow, I talked it over with my mother, and she said, “Well, if that’s what you want, go right ahead.” She was a wonderful woman. And so I did.

Yes, a major one, along with Sir Georg Solti. Because they’re both Hungarian, I used to call them the Hungarian mafia. He was always onto me. “Have you bring to Vera?” And then she’d say, “Georg, he won’t be liking this bit.” And between the two of them, there was this whish-whish-whish, like sword fighting, and I was being killed by the both of them. But I enjoyed every minute of it. It was good for me.