When I was 19, my boss in the circus – I worked in the circus for 10 years. I was, like, a ringleader, MC of a circus – and my boss at the circus really cared about me and she said, "I read this book called 'Awaken the Giant Within' by Tony Robbins.

some of the most noteworthy books I’ve read I guess, like A People’s History of the US, the Howard Zinn book totally changed the way I look at politics. And then in the same way I read a book recently called Sacred Economics that like totally changed the way I looked at economics.

Well my memory for names is absolutely appalling, but I know I did pass through a phase of books like King Solomon’s Mines. H. Rider Haggard was the author, and he wrote these great romantic adventure stories. I used to enjoy Georgette Heyer, in which the hero was usually a rather middle-aged gentleman, a very good sword fighter, with a beautiful young lady and all the rest of it. Great sword fighting and all highly romantic, adventurous activity. I used to find these things quite entertaining. I even passed through a phase when I quite enjoyed Western stories. Nowadays, I find them a little on the naive side but, for a period, I found the Western stories quite entertaining light reading. They are very romanticized, as we all know. Later on, I became much more interested in reading biographies, particularly about people who had made their mark in the community. I still enjoy reading books of that nature.

That really crystallized for me what some really passionate founders who could write some code could do to change things, and this gave me the confidence to say, “You know what? They can do this. We can definitely do this.” ... So without a doubt, Reddit would not exist if it weren’t for Masters of Doom.

I don’t think I can control my life or my writing. Every other writer I know feels he is steering himself, and I don’t have that feeling. I don’t have that sort of control. I’m simply becoming.

I was going to be a journalist. But after the war I studied anthropology, just in order to become educated. I thought it was worth knowing the science of man. I still intended to become a journalist, but there were no jobs, because the reporters who had gone to war were coming back and were entitled to their jobs, and the women who had replaced them were damned if they’d leave, and they shouldn’t have left.

I am from a family of artists. Here I am making a living in the arts, and it has not been a rebellion. It’s as though I had taken over the family Esso station. My ancestors were all in the arts, so I’m simply making my living in the customary family way.

Fine, thank you. I am quite recovered. It was almost a near-death experience. Things weren't going so well for a little while, but I feel strong again.

Yes, well, that’s the reason that I don’t want to be in New York any longer. I don’t want to go to parties any more. There are no familiar faces anymore. You know, you go to a party and you hone in on the couple people you know. There are none of those people for me at parties any more. I’ve lost my sister, my brother, my editor, my publisher. It’s a whole generation gone by. Old war buddies of mine, my colleagues, my family.

I would try to write my war story, whether it was interesting or not, and try to make something out of it. I describe that process a little in the beginning of Slaughterhouse Five; I saw it as starring John Wayne and Frank Sinatra. Finally, a girl called Mary O’Hare, the wife of a friend of mine who’d been there with me, said, “You were just children then. It’s not fair to pretend that you were men like Wayne and Sinatra, and it’s not fair to future generations, because you’re going to make war look good.” That was a very important clue to me.