As many times as necessary. With one story or novel, this may be five false starts and six or eight or ten full rewrites, beginning to end. With the next, it may mean just going back through it and over it fiddling details until I think it’s as good as I can get it.

Well, I can’t really work any miracles in revision , like some people can. I don’t always advocate this to students, but I don’t really have a problem just putting something aside. I don’t actually throw it away, because I have the file, but just saying, “You know what, this is not savable. It’s just not interesting to me.” I’m not someone who can systematically chip away at something that’s dead and make it better. I’ll sometimes break things down into parts and think, “Well, this was a 25-page story and it’s just really bad, but there’s a page and a half here that I could sort of use in something one day.” Revision for me is really only something I can get excited about if I can make something better.

I don’t know if this says something about my attachment style, but whenever I start writing a book, I love it and think it’s the best thing I’ve ever written. Then, as time passes, I hate it more and more. It makes promoting a book difficult because by that point, I really hate it. I tend to find more and more flaws as time goes on. I never feel like it’s done or ready.

I actually really love editing poetry. It’s my favorite part. I love how you can change just one word and it suddenly elevates the line or even the whole poem. When I’m writing poetry, I’m looking and reading through and I’m really interrogating each word and trying to figure out: Is this the best word? Is this exactly what I’m trying to say at this moment? And I do a lot of reading aloud because cadence and rhythm are really important to me. I try to feel where the lines are sitting or where the stresses are, where the hits and the rhythm are. I also like to use those read-aloud functions on the computer because I feel like if it can still sound somewhat bearable with this monotone voice reading it, then that’s probably going to be alright—it’s the final test.

I feel myself still like a student learning many things doing films.

No, I’m afraid of nothing, actually. Maybe there are some genres that I would not feel uncomfortable with. I’m not sure I’d be able to do a western or a science-fiction film, but you never know.

I didn’t think anything actually [before],” he nods. “And now I ask many questions. Because I don’t know what I will do in such a situation.

But I don’t want to repeat myself. And I realised that in America, the producer is the master of the film and the director is just a technician.

Not always. Actually I like to do movies but I’m quite bored with all the work around. All the promotion. Actually, when you’re successful, all this work around is quite difficult. But, I have to deal with that.

That was the case for me when I made Angel, which was in English and was a big flop.