How do you know when a piece of work is finished?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Rosie Stockton said elsewhere, not written here
I don’t think you can finish a poem in the same way I don’t think you can finish a feeling, but I can find a tolerable place to pause. I am a very neurotic self-editor, and in this book in particular, because there’s so much personal vulnerability in it, I felt the need to shave the poems so I could account for almost every move or word or turn or line break. With the more formally experimental poems, I sometimes stumble when I read them, and I think that’s a good thing: I want that stumble; I wanted the poems to be rough and off-kilter. So I worked very hard to shape them into very tight, vibrating forms.

Anahid Nersessian, ROSIE STOCKTON with Anahid Nersessian, The Brooklyn Rail, 1 June 2025 source ↗

Others on this question

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Koho Yamamoto Sumi-e painter, calligrapher and teacher
Well, I feel it. If I don’t feel it just the way I want it, then I’d rather destroy it than to keep it.
Recorded Amanda Millet-Sorsa, Koho Yamamoto with Amanda Millet-Sorsa, The Brooklyn Rail, 1 April 2022 source ↗
Lars Jan American multidisciplinary artist
The White Album is a project that we performed in Pittsburgh. We did it at the Wexner in Ohio. We did it at BAM. We’re going to perform it at the Center for the Art of Performance in Los Angeles, which is co-represented by Center Theater Group. And I still don’t feel like the piece is totally finished. I don’t feel like I had nearly enough time to actually develop the work. I feel like I threaded a needle and got it to a certain point that I’m proud of, but I still haven’t had enough time to play with all of the components involved in the work to get them to harmonize in the way that I want.
Recorded Brandon Stosuy, The Creative Independent interview source ↗
Brett Story Documentary filmmaker
I don’t think I ever really know when a project is done because I make projects that could keep going on forever. For me it’s a balancing act, feeling confident enough in the work and feeling like I’ve exhausted a sense of what else could be done with it. I usually get to a certain stage where I’m very, very tired and I’m not interested in it as much as I was. And that’s a good time to end. Sometimes it’s just about saying, “I’m tired. I’ve learned a lot. We’ve gone a long way, and now the film needs to leave me, and be in the world.”
Recorded Miriam Garcia, The Creative Independent, 21 January 2020 source ↗

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