Originally asked
The Creative Independent, to working artists, its interview series
A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Willa Köerner, The Creative Independent interview source ↗
I don’t think I’ve ever worked so hard on something, but working on Macintosh was the neatest experience of my life. Almost everyone who worked on it will say that. None of us wanted to release it at the end. It was as though we knew that once it was out of our hands, it wouldn’t be ours anymore.
I’m the worst about this. I often don’t know. I’ll have 14 small victories while I’m working on something. I’m like, “It’s done,” and I show it to somebody and they’re like, “Is it?” They ask me a couple questions, or I’ll realize myself like, “I think it’s done,” and then a few days later I’ll realize that, “Oh no, I’m still having ideas about it.”
I want to be able to do what I have always done which is to say, "I could do this no better. I could not make this better."
It feels most natural to have a lot of projects in motion simultaneously. I need the freedom to initiate and abandon a variety of works, be it a painting, performance, video, or even a book project. If I come back to a piece that doesn’t resonate anymore, I might toss it out completely or turn it into “studio mud,” where it gets broken down and becomes material for something else. I know when something’s done because it clicks and just feels right.
Leelee Kimmel, Richard Ford, Kazuo Ishiguro, Stephen Talasnik, Angélica Negrón, Georgia Harmer
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