What do you do when you feel creatively blocked or stuck?

Originally asked

The Creative Independent, to working artists, its interview series

A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Cheryl Strayed said elsewhere, not written here
When it comes to getting to work, my trick is to conjure my inner-nun-with-a-ruler-in-hand and simply force myself to begin. Beginning is about three-quarters of the battle for me. Once I’m into the work, it’s so much more interesting than anything happening on Facebook.

Elissa Bassist, Creative Nonfiction source ↗

Others on this question

View all 69 →
Raf Simons Fashion designer
No, for me it’s the opposite. I have to find ways to stop the thought process because the thought process is constant; it’s constantly everywhere. And that’s not to make me sound pretentious, because it sometimes makes me unhappy. It can keep you awake or you have it in the middle of a meeting.
Recorded The Talks, 24 April 2013 source ↗
Chelsea Wolfe Singer-songwriter and musician
If I start to feel stagnant, going to see a good show always helps. Watching a great band makes me want to play music. Like, when we opened for Queens of the Stone Age a few years back. I was unsure where I wanted to go next musically, and had a feeling, like maybe I should do another acoustic album… I was starting to put some invisible pressure on myself instead of letting my instincts lead. But after a couple nights of watching Queens play these rock ‘n’ roll songs that have been my favorites for years, it was like, “No, fuck that, I want to play heavy music and let some aggression out,” so then I started working on Abyss .
Recorded Brandon Stosuy, The Creative Independent, 9 October 2017 source ↗
Hayden Pedigo Guitarist, artist and model
If by the second or third day I’m stuck and it’s not working, I usually will scrap it. I find an open tuning and start picking around until I find a melody or something I like. I follow that melody to the end of the song. I have to be willing to scrap the entire thing and move on because I can’t waste a lot of time. Everyone has a different approach with writing, this long excursion, excavating out of the ground, like you’re digging and finding it can be this long process. For me it’s more like following a bird. If it flies away too quickly, it just wasn’t meant to be.
Recorded Jeffrey Silverstein, The Creative Independent, 12 March 2024 source ↗
Alysha Brilla Canadian musician
I do believe that some of the funniest people you’ve ever met might not ever be on a stage. Similarly, some of the most talented musicians you will ever hear are playing in a little house somewhere across the world. Some of the most profound exchanges of words happen between two people who are channeling an intimacy and depth of humanity which not all of us will hear.
Recorded Sania Khan, The Creative Independent interview source ↗

More from Cheryl Strayed

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Question Has knowing that you will die changed how you live? Death & what remains
And so it’s true; I think what I said on that post is that every day since my mom died, there hasn’t been a day that I haven’t thought about my own death. That’s true. And I don’t think about it in a morbid way, but I think of it in a way that I’m aware of not taking my life for granted and not taking your life for granted, or any of our lives for granted.
Recorded Tim Ferriss, The Tim Ferriss Show, The Blog of Author Tim Ferriss, 22 June 2018 source ↗
Question When you feel overwhelmed or unfocused, what do you do? Daily life
I’m a super big fan of list making. I’m like the list queen. And every problem I have ever had has been solved by a list. You write down all the reasons for this, and all the reasons for the other thing, and then there are sub-lists. You can color code them. You can get highlighters. And the answer is there.
Recorded Tim Ferriss, The Tim Ferriss Show, The Blog of Author Tim Ferriss, 22 June 2018 source ↗
Question Which teacher, parent, coach or friend most made you who you are, and what did you learn from them? Relationships
My first, most important mentor was Paulette Bates Alden, who taught at the University of Minnesota when I was a junior and senior there. I took my first fiction writing workshop from her. She was teaching in the MFA program and I was an undergrad student and such an upstart that I asked her to let me in the class. She was generous and great.
Recorded Tina Essmaker, The Great Discontent, 10 July 2012 source ↗

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