You now have to address the fact that we might live in so-called wealthy countries at the expense of people who live in poor countries. Our wealth is maybe dependent on somebody else from the poverty side of the equation, suffering on our behalf.
Originally asked
Peter Thiel, to job candidates, Zero to One, chapter 1, 2014
Peter Thiel, Zero to One, chapter 1, where it is introduced as his job-interview question. Thiel supplies his own standard: a good answer takes the form "most people believe x, but the truth is the opposite of x."
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Zoë Carpenter, The Nation, 5 October 2016 source ↗
Others on this question
View all 38 →First of all, I believe that the results of science should be fully given to the community. Fully. Absolutely. And all types of competition such as who did it first and “I cannot tell him because he will copy me” and so on – these are not arguments. Society financed this science, if not directly, then the education and the way I got there, so society should get back what I found. It is not my finding. In this, I am not very popular, I must say.
I want to persuade people that Culture, broadly defined (literature, philosophy, art, theatre, photography etc.) can be used as a guide to how to live. I believe in the practical application of Culture, Culture as self-help.
If I were a religious person, my first question would be "Where the hell is God?" But I never expected him to be on the job.
More from Ursula K. Le Guin
View profile →The book is done when you say it’s done. It’s entirely up to you. It’s your responsibility.
Because, yeah, I am afraid of madness. It’s scary.
If you’ve got a book that’s writing itself, let it! Follow it as far as it takes you, as hard as you can. Forget the willpower business.
Either you’re listening out for the kids or you’re writing. So I wrote when the kids went to bed. I wrote between nine and midnight those years. And my husband would listen out if the little guy was sick or something. It worked out.
But when people say, Did you always want to be a writer?, I have to say no! I always was a writer. I didn’t want to be a writer and lead the writer’s life and be glamorous and go to New York. I just wanted to do my job writing, and to do it really well.
As many times as necessary. With one story or novel, this may be five false starts and six or eight or ten full rewrites, beginning to end. With the next, it may mean just going back through it and over it fiddling details until I think it’s as good as I can get it.
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