One of my mentors, Tom Frank, a professor of law at NYU, he was really instrumental in making me understand that we need to look at the global picture, and we always need to not take anything for granted, but go very much through a process of critical thinking before we formulate our views. So he was, I think, instrumental in shaping my views as to how to pursue my career in the future.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A durable Art of Fiction question asked through named literary influences and artistic models.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Tyler Cowen, Conversations with Tyler, 24 April 2019 source ↗
Others on this question
View all 66 →I don’t know if that is true. There have been 110 or more years of cinema, and it’s impossible for any one of us to make a film that can’t be compared to something that has come before. To me Blue Velvet is Blue Velvet and Rear Window is Rear Window. You could say that Sunset Boulevard or Rear Window has conjured an idea for me, but even though I love them or am inspired by them, life is a 24/7 movie. Ideas come out of that all the time. It’s hard to say it’s cinema that conjures ideas. It’s altogether.
Oh, over the years, there are so many. One would be the man — I wanted to take his job away some day — Paul Zimmerman, sports editor of the L.A. Times. Jim Murray is writing for the Times now. Red Smith. I had the honor of meeting Grantland Rice way back when I was at the University of San Francisco. When we played New York in football back in 1951. Just a lot of good sports writers became friends of mine. And I respect them a great deal.
My wife has inspired me probably the most out of my person in my life…Mia Hamm had a huge impact on my life – not just as a player. When I was new to the team I watched how she treated her teammates. I watched how she interacted with fans. I watched how she dealt with sponsors and her off the field business decisions. Mia was the symbol of the impossible.
More from Margaret Atwood
View profile →Begrudging mean-spiritedness.
Getting too involved in too many things. It eats your brain.
I would so much like to have a daily writing schedule. If I had one, I'd probably start about 9.30, write for 2 hours, have lunch, write another 2, then goof off. As it is, I goof off, then panic and write in the evenings. Do not follow my example.
Block? Not as such, but I've had to throw things out because they weren't working. Sometimes I just get lazy, but that's not the same a s a block.
Well, probably this big sack of poetry.
In 1972, by Farley Mowat, after I’d had a modest success: “Now you’re a target, and people will shoot at you.” Which is not about how to write, but about some of the consequences of having done so.
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Richard Ford, David Hare, Gore Vidal, Jia Tolentino, Alan Cumming, Maya Angelou
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