I spent time with Rauschenberg a lot during the combine period. I think just around the combine period. He had a big influence on me because he was very free and not full of philosophy and why I’m doing this and that. Some of the artists had this anchor of having to be — relate sometimes to Hegel and Kant and Nietzsche. It was sort of baggage that they brought to the table that was irrelevant. I mean it was in their head and it was relevant, but it was irrelevant to this moment of truth. So I found the artists that were kind of “dumb smart,” that were really smart but didn’t parade it, that were willing to take the risks and stuff.

My dance heroes include Kitty Lunn, one of my first teachers, Marc Brew, current Artistic Director of AXIS Dance Company, Judy Smith founding member and Artistic Director Emerita of AXIS, and Jawole Willa Jo Zollar the founder of Urban Bush Women. They are all innovators and activists in their own way.

Like everybody, I wanted to meet Andy Warhol. I was impressed by his work and how daring he was. I think he changed the cinema completely, simply by opening his camera and letting it go. He dealt differently with time and duration, and he didn’t care about how people would perceive it. It changed the cinema for me.

I didn’t have a lot of mentors when I – I mean I kind of just grew up in the gym, just climbing a lot. So I didn’t really have mentors. I mean I definitely had people that I looked up to and people in the climbing community, but that’s just sort of the typical hero worship style, you know. Like Peter Croft was a really prominent soloist from the generation before me and I was like, “Oh, Peter’s the man!”

Not really on a major basis. We lost the court case when the Raiders moved, so now you have more or less free agency on the part of franchises. They move from city to city. I thought that was a loss. But I tend to discount extreme praise or extreme criticism. You just have to do what you think is right.

I have never really studied them very much. I think that I was proud of — not just what I did — but my staff played obviously a major part, did in popularizing the sport, with the early promotional activities of NFL Properties, merchandising, NFL Films, all the work that we put on the Super Bowl to make that a top attraction. All those things, I feel very good about, but I think they played a big part in popularizing the league.

No, I wanted to be sports editor of the Los Angeles Times. That was my goal.

That was a direct challenge to the NFL constitution, which said you have to have a three-quarters approving vote if you’re going to move your franchise. And we had Davis challenge that in his move from Oakland to Los Angeles. And it was sitting there in the constitution, and I couldn’t just say, “Oh, I’m not going to press this.” I brought it to the attention of the owners, and I said, “I think we have to defend this constitution.” So we had two trials over a couple of years.

Never underestimate the power of an education. Everyone will tell you that, and you say, “Well, it’s not for me.” But if you can get it, it’s the most valuable thing you can get. Because it leads to happiness in your general life, and also can be your basis for a great vocation. Be patient. Learn to get along with people. It just doesn’t make sense to have an antagonistic personality. Try to get along with people. And when you have a project, prepare carefully for it. Prepare carefully.

You can’t make decisions based upon whether it will be popular or not. You have to make decisions based on whether they’re right.