Thanks for asking, this is a bit of a cool side project for me. The main thing that motivated me to start it was just a general feeling that I had more than I needed and that I should give back. I donate money through a charitable foundation (rather than just through personal checks) in the hope that it will inspire others to consider supporting causes that they believe in.

I’m passionate about all the stories we’re developing, but the one I’m most excited about right now is Animal Farm. I’ve wanted to make a performance capture adaptation of this book for a long time now, and it’s so exciting to see this become a reality.

Beyond that, editing an anthology gives me a chance to find a few new readers for my colleagues’ excellent work.

I think my left, but I don't really know. I haven't thought about it before. I think my left - I'll let you know.

I want my money back.

I want my money back.

Heights - I get vertigo if I stand up.

Well, I mean, obviously, as I said, Richard Rodgers, very obviously say, composers like Prokofiev, like Gershwin, all of these, the great musical theater writers. I would add, as melodists, I think if you were talking about the great melodists of the 20th century, I would put Paul McCartney in there. I would definitely put Rodgers. I would definitely put Prokofiev. I’d definitely put Gershwin because he died so young, but definitely would put him there. And those, of course, in the theater side of things, I’d definitely put Hal Prince

I already know what I want to do next [after Cinderella], but I can't talk about it yet.

The first musical version of Jeeves.