It’s just a devotion to the greater beautiful thing that allows us all to be here. It sounds a little “woo-woo,” but basically, it’s manifested in me because I’m a writer. I get up every morning, and I write. I sit. As Paul knows, I sit. I have my notebook. I’m scribbling. “Don’t talk to me right now, honey. I’m writing.” That’s my thing. That’s how I manifest it. Someone who runs the hurdles, or a tennis player, would manifest it daily, going out there and hitting balls or whatever they do.

Yes. Because in the end, experience is what counts. The more experience you have, the better you are. And that’s true of anything you do in airplanes, dogfighting in combat, or anything like that. Your chances of coming out on top depend on your experience level. The more experience you can get, the better chance you have of surviving in a war, or in any situation where you are faced with an emergency.

I do, but I never force it out of myself. I’m kind of trying to explore writing as a practice, so you know, I journal every day, I try and do kind of something for the art every day whether that’s reading or watching film or practicing guitar… It kind of ebbs and flows, but I do try and do something creative every day. When it comes to writing poetry or songs, I really have to have an idea or have that desire to get something down. I feel like the best art comes from a sense of necessity and urgency, like I can’t help but talk about this. I can only be in that creative space when I really want to and when internally it feels right.

I did it because that’s what it was going to take. I really wanted it. I had an older brother, and he was bigger and smarter, and when you’re a kid, you’re trying to catch up all the time. I think that that’s where it kind of came from, just that little brother syndrome. I was just trying to be something, trying to make myself worth something. It was proving it to other people and proving it to myself at the same time. I needed that.