I do, but I never force it out of myself. I’m kind of trying to explore writing as a practice, so you know, I journal every day, I try and do kind of something for the art every day whether that’s reading or watching film or practicing guitar… It kind of ebbs and flows, but I do try and do something creative every day. When it comes to writing poetry or songs, I really have to have an idea or have that desire to get something down. I feel like the best art comes from a sense of necessity and urgency, like I can’t help but talk about this. I can only be in that creative space when I really want to and when internally it feels right.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, Washington, D.C., 22 June 2007 source ↗
Others on this question
View all 27 →Well, I hate the word, but it’s true that something sometimes visits and other times doesn’t. I wish I felt otherwise, but I feel as though there has to be some catalyst, some inspiration. All of a sudden there’s a phrase in your head. Where does that thing come from? I don’t know, and because I don’t know, I don’t know how to have more of them.
It takes a combination of ways to do these things, more than discipline. It’s a way of life. It’s like diet or gymnastics. You can know all the gymnastic things, all the exercises. You can know all the diets, but if you don’t do the diets, if you don’t do the exercise, it won’t work. It’s the same if you have some rules, but you don’t live them. It doesn’t work.
Yes, that’s right. I saw what I could succeed in. I never considered myself very bright, and I always thought of myself as mathematically mediocre. So I figured that probably, like your college runner who has difficulty breaking a ten-second hundred — well, breaking an 11-second, shall we say, 100-meter — realizes that their best shot is to rely less on strength and speed and more on self-discipline, planning, and long hard work. Yes. That’s the way I do science.
More from Suzan-Lori Parks
View profile →But it was quite intense to be the first Black person that my German friends had seen. Actually laid eyes, and hands, on. And there was the German language, which I had to learn, and the German kids learned British English, so my American English was frowned upon. … Maybe I write like I do because I spent those years in the cauldron of not fluently speaking the native language of my classmates. Those several years of being told that the tongue I spoke wasn’t right.
Right. And let’s put Michelangelo in quotes, ’cause was he really the one who actually said that? But, anyway, the idea still holds. I feel that whatever I’m writing exists already. Maybe that’s because of a glitch in the space-time continuum and when I write I’m actually putting my living self behind the present moment in time. Like I’m following something through the woods. Eyes open. Ears open. Heart open. And I’m following a path that is sometimes behind me.
More on craft & work
- What is the worst job you have done? 229 answers
- What do you consider your greatest achievement? 192 answers
- How do you know when a piece of work is finished? 67 answers
- What do you do when you feel creatively blocked or stuck? 66 answers
- How does a new work begin for you? 63 answers
- How much rewriting or revision do you do? 46 answers
Also answered this
Gore Vidal, László Krasznahorkai, Carlos Fuentes, Arlo Parks, John Updike, Jonathan Lethem
Search the directory for somebody in particular.
Explore further
- All craft & work questions
- The The Creative Independent questionnaire — 4 questions from the same format
- Explore the archive — by field, age, era, and subject