I think that’s the part of writing that I think is the most intuitive and unpredictable. What happens to me is that I—unlike other writers that I’ve known, particularly mystery writers— I don’t have an ending in mind. And it might happen when I get to a certain point that I think, “Oh, I know how this is going to end probably.” And then I write a little more, and I think, “Well, that won’t work.” So, what always happens is that as I approach the ending, I can sense myself coming to an ending. And then because I’ve been working for such a long time on the book, and it’s all in my head, and many things have happened supposedly, the thing just starts to draw tight. The threads start to come together. “Well, I’ve left this loose, and that loose, and that loose. So how can these be pulled together? And what can I say that would make a satisfying close?”
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Sigrid Nunez
Novelist
United States · b. 1951
Arts and letters
Sigrid Nunez is the author of the novels Salvation City , The Last of Her Kind , A Feather on the Breath of God , For Rouenna , and the National Book Award-winning The Friend , among others. She is also the author of Sempre Susan: A Memoir of Susan Sontag . She has been the recipient of several awards, including a Whiting Award, the Rome Prize in Literature, and a Berlin Prize Fellowship. Nunez lives in New York City.
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Well, it’s very simple for me. It’s pretty much always the same. I might have certain things swimming around in my head. We all always do. What’s been on your mind lately? You could ask anybody that, and you’d get a couple of answers. But, I always jump in. I always just try to think of a first sentence. Well, actually, I decide firstly if it’s going to be in third person or first person. And then I just think of something, I just get something moving.
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