Because I have to read everything I write and edit it. So I’m not a natural writer. She’s more a natural writer than I am. But I can do what I need to do to give myself enough time to write papers, edit them, before I turn them in.  And that’s what I still do.

No, I’m never worried that I’m going to forget anything from a previous draft. It’s not that I don’t forget good things, but I think that often we fetishize what has been done to the detriment of the larger design. I think sometimes we fall in love with a paragraph, even a chapter or a character, and ultimately, those things don’t necessarily add to the book at hand. I actually see it as this beautiful process of almost whittling away. I know it seems counterintuitive, but if I do remember something and it does come into the book in the next draft and I never look at my previous draft, then it probably deserves to be there.

Sometimes, there will be songs [for which] I finish the lyrics years later. I try not to listen to my own music until time has passed. It’s like, “Maybe I should have put that word in there.” But I think it’s because I studied English literature, for me, the most important part, the bit I get the most out of as a consumer of music, as an enjoyer of music, is the lyrics. So for me, I really care. I try things out, I try different versions, I will sing different versions, and it’s a sort of long process [that] feels like I’m excavating dinosaur bones with a little toothbrush.

As many times as necessary. With one story or novel, this may be five false starts and six or eight or ten full rewrites, beginning to end. With the next, it may mean just going back through it and over it fiddling details until I think it’s as good as I can get it.

pick one job and delegate all the other tasks.

My fear, my anxiety, that I’m grappling with in this film, is that if we’re not able to struggle with the domestic things

really watching a lot of work. Also finding the right people to associate with and learn from in terms of work.

I tried to get funding to shoot this film and couldn’t—nobody wanted to touch it, you know?

she convinced me to use a Bolex. Then suddenly I got obsessed

I need to know what my editing voice is