How does a new work begin for you?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Agathe Snow said elsewhere, not written here
It’s funny. Before, it used to be that I’d travel somewhere. I always had a storyline, some kind of grounding element. I used to go somewhere and just take over a space and go find things and find elements. That was how I used to do it. But since I had Cyrus I’ve had to do things only in the studio and shift it, so it’s very different for me now. I’m constantly writing in my book and coming up with things, mostly from things I read. I have all these ideas and I just write them and then some make it out. Most of them don’t. I was reading [Jorge Luis] Borges’ Labyrinths about six months ago. That really spoke to me, and that’s when I started doing the [painting series titled] Endless Sunsets. It’s like a labyrinth, something you can never get out of and there’s really no point in it, a brain maze kind of thing.

Annie Bielski, The Creative Independent interview source ↗

Others on this question

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At first I’ll think of stuff in my head for a while. The more I think of an idea, the more promising it is— it just naturally occupies space in my brain. Then I start making notes with pen and paper. If it’s a story, it’s more like a moment, or just it’s kind of a more fleeting idea. And if it’s a novel, it’s something that I can see approaching in a lot of different ways, and sticking with for two or three years. I might write a scene or two and just kind of see how it feels. Then I will type an outline. That’s when I really feel like I have a path forward, even though I don’t feel like I have to stick to the outline, but it is very reassuring to me to have it.
Recorded Scarlett Harris, The Creative Independent interview, 29 May 2025 source ↗
Precious Okoyomon artist and poet
I write mostly in my bedroom. I don’t have a desk. I have at least 10 or 12 books that I’m reading at the time around me and I flip through different things. I have poems that I’m reading on my computer and I flip through those. I usually start by journaling. I journal every night, and that’s where most of my poems come from. Or notes in my phone that I pick through and Frankenstein morph into poems. In the end, it’s just me trying to boil down my gibberish and self-recriminations into some destruction and rebirth of me trying to give flesh to my memories.
Recorded Willis Plummer, The Creative Independent interview, 14 April 2022 source ↗
Norman Mailer American writer
No doubt. I’ve written at times about the spooky element in writing. You go in each morning, and there’s a blank page. Maybe it takes five minutes, maybe it takes an hour. Sooner or later you start writing, and then the words begin to flow. Where does that come from? You can’t pinpoint it. You always wonder, “Will it all stop tomorrow?” In that sense it’s spooky. In other words, you’re relying on a phenomenon that’s not necessarily dependable. That’s a particular kind of fear but there are other fears in writing of an altogether different sort.
Recorded Academy of Achievement interview, 2004 source ↗

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