At first I’ll think of stuff in my head for a while. The more I think of an idea, the more promising it is— it just naturally occupies space in my brain. Then I start making notes with pen and paper. If it’s a story, it’s more like a moment, or just it’s kind of a more fleeting idea. And if it’s a novel, it’s something that I can see approaching in a lot of different ways, and sticking with for two or three years. I might write a scene or two and just kind of see how it feels. Then I will type an outline. That’s when I really feel like I have a path forward, even though I don’t feel like I have to stick to the outline, but it is very reassuring to me to have it.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Annie Bielski, The Creative Independent interview source ↗
Others on this question
View all 86 →I write mostly in my bedroom. I don’t have a desk. I have at least 10 or 12 books that I’m reading at the time around me and I flip through different things. I have poems that I’m reading on my computer and I flip through those. I usually start by journaling. I journal every night, and that’s where most of my poems come from. Or notes in my phone that I pick through and Frankenstein morph into poems. In the end, it’s just me trying to boil down my gibberish and self-recriminations into some destruction and rebirth of me trying to give flesh to my memories.
No doubt. I’ve written at times about the spooky element in writing. You go in each morning, and there’s a blank page. Maybe it takes five minutes, maybe it takes an hour. Sooner or later you start writing, and then the words begin to flow. Where does that come from? You can’t pinpoint it. You always wonder, “Will it all stop tomorrow?” In that sense it’s spooky. In other words, you’re relying on a phenomenon that’s not necessarily dependable. That’s a particular kind of fear but there are other fears in writing of an altogether different sort.
I don’t know. How do you start a project?
More on craft & work
- What is the worst job you have done? 241 answers
- What do you consider your greatest achievement? 206 answers
- What do you do when you feel creatively blocked or stuck? 82 answers
- How do you know when a piece of work is finished? 76 answers
- How much rewriting or revision do you do? 60 answers
- What is the part of your job that people would be surprised is most of your job? 57 answers
Also answered this
Tony Bechara, Richard Ford, Leelee Kimmel, Winston Churchill, Phyllis Bramson, Robert Wilson
Search the directory for somebody in particular.
Explore further
- All craft & work questions
- The The Art of Fiction questionnaire — 3 questions from the same format
- Explore the archive — by field, age, era, and subject