I have come to realize the extraordinary capacity for evil that all of us have because we have now heard the Truth and Reconciliation Commission, and there have been revelations of horrendous atrocities that people have committed. Any and every one of us could have perpetrated those atrocities. The people who were perpetrators of the most gruesome things didn’t have horns, didn’t have tails. They were ordinary human beings like you and me. That’s the one thing. Devastating! But the other, more exhilarating than anything that I have ever experienced — and something I hadn’t expected — to discover that we have an extraordinary capacity for good. People who suffered untold misery, people who should have been riddled with bitterness, resentment and anger come to the Commission and exhibit an extraordinary magnanimity and nobility of spirit in their willingness to forgive, and to say, “Hah! Human beings actually are fundamentally good.” Human beings are fundamentally good. The aberration, in fact, is the evil one, for God created us ultimately for God, for goodness, for laughter, for joy, for compassion, for caring.
Originally asked
Krista Tippett, to her guests, On Being
Krista Tippett uses this as a recurring, sometimes-closing On Being question; the wording is intentionally adapted to each guest.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Gary Wolf, Wired 4.02, February 1996 source ↗
Others on this question
View all 13 →Well, I won't say what I thought about them, particularly related to Bill Gates, but I would say it's astounding to me how human people are. I mean, it, here you had a guy that was a convicted guy, a sensational con man, and the percentage of people that he knocked off. I mean, whether it was, he found their weakness, it might have been sex. It might be power, it might be, whatever it might be.
When I was a child the mailman came once a day. Now the mail arrives every moment. I used to believe it was preposterous that people could fall in love online. Now I see that all relationships are virtual, even those that take place in person. Whether we use our bodies or a keyboard, it all comes down to two minds crying out from their solitude.
My generation is on the way out, and each death I have felt as an abruption, a tearing away of part of myself. There will be no one like us when we are gone, but then there is no one like anyone else, ever. When people die, they cannot be replaced. They leave holes that cannot be filled, for it is the fate — the genetic and neural fate — of every human being to be a unique individual, to find his own path, to live his own life, to die his own death.
More from Steve Jobs
View profile →It’s often the same with any new, revolutionary thing. People get stuck as they get older. Our minds are sort of electrochemical computers. Your thoughts construct patterns like scaffolding in your mind. You are really etching chemical patterns. In most cases, people get stuck in those patterns, just like grooves in a record, and they never get out of them.
We spent some time in our family talking about what's the trade-off we want to make. We ended up talking a lot about design, but also about the values of our family. Did we care most about getting our wash done in an hour versus an hour and a half? Or did we care most about our clothes feeling really soft and lasting longer? Did we care about using a quarter of the water? We spent about two weeks talking about this every night at the dinner table.
When I was 17, I read a quote that went something like: “If you live each day as if it was your last, someday you'll most certainly be right.” It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: “If today were the last day of my life, would I want to do what I am about to do today?” And whenever the answer has been “No” for too many days in a row, I know I need to change something.
When you’re a carpenter making a beautiful chest of drawers, you’re not going to use a piece of plywood on the back, even though it faces the wall and nobody will ever see it. You’ll know it’s there, so you’re going to use a beautiful piece of wood on the back. For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through.
I've always felt that death is the greatest invention of life. I'm sure that life evolved without death at first and found that without death, life didn't work very well because it didn't make room for the young. It didn't know how the world was fifty years ago. It didn't know how the world was twenty years ago. It saw it as it is today, without any preconceptions, and dreamed how it could be based on that. We're not satisfied based on the accomplishment of the last thirty years. We're dissatisfied because the current state didn't live up to their ideals. Without death there would be very little progress.
We called that the 'story crisis,' and we never expected to have another one. But you know what? There's been one on every film. We don't stop production for five months. We've gotten a little smarter about it. But there always seems to come a moment where it's just not working, and it's so easy to fool yourself - to convince yourself that it is when you know in your heart that it isn't.
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