Do you rely on inspiration or discipline to make work?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Louise Glück said elsewhere, not written here
Well, I hate the word, but it’s true that something sometimes visits and other times doesn’t. I wish I felt otherwise, but I feel as though there has to be some catalyst, some inspiration. All of a sudden there’s a phrase in your head. Where does that thing come from? I don’t know, and because I don’t know, I don’t know how to have more of them.

Academy of Achievement interview, Washington, D.C., 27 October 2012 source ↗

Others on this question

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It's just, I would say, faith. I had very clear visions of me being a champion. When I saw this picture of Reg Park on a cover, standing there like - as Hercules, from the Hercules movies, I looked at that, and then I looked at the inside and I read the story, and I immediately started creating visions of me standing there on the pedestal at the Mr. Universe contest and me being Hercules and me doing movies and so on. And that created such unbelievable drive and such unbelievable will and discipline, that there was absolutely no stopping me. I mean, I went to the gym two hours every day lifting weights. When I came home afterwards, I lifted an extra hour and a half and did bodybuilding training, and it was just relentless.
Recorded David Greene, Talk of the Nation, NPR, 2 October 2012 source ↗
László Krasznahorkai Novelist; Nobel laureate in literature
The bitterness. I am very sad if I think of the status of the world now. This is my deepest inspiration. This could be also an inspiration for the next generation or generations in literature. Inspiration to give something for the next generation, somehow to survive this time because these are very, very dark times and we need much more power in us to survive this time than before.
Recorded Nobel Prize telephone interview with Jenny Rydén, published by Nobel Prize Outreach, The Nobel Prize, 9 October 2025 source ↗
John Banville Novelist; winner of the Booker Prize, 2005
I keep office hours. I work from 9:30 to 6:00. It’s curious. In the morning, I could just about tie my shoelaces before noon, but I can write. It’s obviously a different part of my brain that’s working.
Recorded Academy of Achievement interview, London, England, 18 October 2017 source ↗
Suzanne Farrell Ballerina and ballet master; répétiteur for the Balanchine Trust
No, never. Strangely enough, being such a tomboy, and being so—as my mother says—spoiled as a child, once I started dancing and in a way growing up, I was not the spoiled brat or the rebellious child that I was when I really had no reason to be as a child. When you work, it’s a laboratory. The dance studio, when we were working together, was the place where you experiment. I’m not intimidated by failure or making a mistake, because you learn from those situations. You don’t learn from a situation where you do something well. You enjoy it and you give yourself credit, but you don’t really learn from that. You learn from trial and error, trial and error, all the time. When you fail, maybe you failed in that particular instance, but you have discovered something else. A lot of the ballets that we went on to do were built around mistakes that we had made in the classroom. So you never throw anything out. Rebelling takes up energy. As a dancer, you don’t have that kind of energy to throw away.
Recorded Academy of Achievement interview, New York City, 16 December 1990 source ↗

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