Definitely [my best moment was] the 2016 World Cup, that semi-final game against India where I brought the team home, me and Lendl Simmons, and obviously the start that we got from the other batters,
Originally asked
Vogue, to one guest at a time, on camera, 73 Questions
Vogue's 73 Questions repeatedly asks respondents to select the work, relationship, or achievement that makes them proudest.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Kiva Reardon, cléo, 11 April 2018 source ↗
Others on this question
View all 118 →And then in 1974 I started to work on phosphorous chemistry which is the area of which I’m most proud as it turns out. I’m most proud of my work on carbon phosphorous chemistry.
Mr. Rogers lives on. There’s so many legions of people that grew up with him, and they’re still in a way growing up with him. He, of course, was a minister. ... And the children of the show, in the neighborhood, are his ministry. And what a beautiful thing that is. So I, to this day, when someone says, “What are you most proud to have accomplished?” I am so proud to have been a part of that.
Yes, I am proud of them all. Our main product at DNI is people who we teach and train to do research.
More from Agnès Varda
View profile →What I notice or discover has to grow in my mind. I always wait until the ideas and impulses are so strong that they invade my mind and I have to pursue them.
How people need the possibility of sharing, of not being alone. It’s bad to be poor, but it’s difficult to be alone.
I was curious. Curiosity is a good thing. And I was curious about different people. And, as I said, I waited until something was strong enough to disturb me or inspire me to make a film.
I come from the generation who were taught never to throw things out. I like the idea of hanging on to things and repairing items rather than discarding them. It’s not a question of money, more to do with guarding resources and not being wasteful. My children laugh at me when I sit darning a pair of socks.
Like everybody, I wanted to meet Andy Warhol. I was impressed by his work and how daring he was. I think he changed the cinema completely, simply by opening his camera and letting it go. He dealt differently with time and duration, and he didn’t care about how people would perceive it. It changed the cinema for me.
Since 1973, I had written a few screenplays on feminist subjects, but nobody wanted them.
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