The question

Do you rely more on inspiration or discipline to make your work?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Denton Cooley

Cardiothoracic surgeon; founder of the Texas Heart Institute

Recorded said elsewhere, not written here
I think so. I really do. With your own effort, you can improve yourself, but people find they can’t improve beyond a certain point. I like to play golf, but I know that no matter how much I practice, I will never get above a certain level. I think that’s also true of surgery. Some people are born with the gifts and the mind for surgery, and they may go on to great heights. Others may try and try, only to reach a certain plateau.

Academy of Achievement interview, Houston, Texas, 11 April 1991 source ↗

Others on this question

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It's just, I would say, faith. I had very clear visions of me being a champion. When I saw this picture of Reg Park on a cover, standing there like - as Hercules, from the Hercules movies, I looked at that, and then I looked at the inside and I read the story, and I immediately started creating visions of me standing there on the pedestal at the Mr. Universe contest and me being Hercules and me doing movies and so on. And that created such unbelievable drive and such unbelievable will and discipline, that there was absolutely no stopping me. I mean, I went to the gym two hours every day lifting weights. When I came home afterwards, I lifted an extra hour and a half and did bodybuilding training, and it was just relentless.
Recorded David Greene, Talk of the Nation, NPR, 2 October 2012 source ↗
Suzanne Farrell Ballerina and ballet master; répétiteur for the Balanchine Trust
No, never. Strangely enough, being such a tomboy, and being so—as my mother says—spoiled as a child, once I started dancing and in a way growing up, I was not the spoiled brat or the rebellious child that I was when I really had no reason to be as a child. When you work, it’s a laboratory. The dance studio, when we were working together, was the place where you experiment. I’m not intimidated by failure or making a mistake, because you learn from those situations. You don’t learn from a situation where you do something well. You enjoy it and you give yourself credit, but you don’t really learn from that. You learn from trial and error, trial and error, all the time. When you fail, maybe you failed in that particular instance, but you have discovered something else. A lot of the ballets that we went on to do were built around mistakes that we had made in the classroom. So you never throw anything out. Rebelling takes up energy. As a dancer, you don’t have that kind of energy to throw away.
Recorded Academy of Achievement interview, New York City, 16 December 1990 source ↗
Stephen Jay Gould, Ph.D. Palaeontologist and evolutionary biologist; essayist
I think it’s very different in what I do. Edison’s work was so much tinkering and trying it out and empirical testing. So much of my work is writing. I don’t know what you call the writing, it’s true that the actual inspiration, say for writing an essay, the outlining of it is probably a 15-minute to half-hour procedure, then you may spend about 20 hours writing it. But the writing isn’t perspiration in the same sense. It’s not inspiration, but it’s something in between. Any profession has a vast amount of tedium attached to it. There’s no sense not admitting it. If you’re passionate about it, tedium can be — not exactly a joy — but can be perfectly tolerable. The tedium of a pianist is 10 hours of practice a day or whatever, not all of which is inspirational. The tedium of an experimental scientist is calibrating the machines and doing it over and over again. The tedium of a paleontologist is poring over a microscope, or using a dental pick to chip away the sand grains from the fossil, or looking at the statistical figures in the columns of a computer printout. Every profession has massive tedium, that’s certainly true. You cannot be a successful professional (without it). But I think if you’re committed to it, as they say, it goes with the territory. It’s part of the work.
Recorded Academy of Achievement interview, Cambridge, Massachusetts, 28 June 1991 source ↗
Chris Cole Professional skateboarder; twice Thrasher Skater of the Year
I did it because that’s what it was going to take. I really wanted it. I had an older brother, and he was bigger and smarter, and when you’re a kid, you’re trying to catch up all the time. I think that that’s where it kind of came from, just that little brother syndrome. I was just trying to be something, trying to make myself worth something. It was proving it to other people and proving it to myself at the same time. I needed that.
Recorded The Talks, published interview, 11 November 2015 source ↗

More from Denton Cooley

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Question Which teacher, parent, coach, or friend most made you who you are, and what did you learn from them? Relationships
The man who inspired me most, I think, was Dr. Alfred Blalock, who was professor of surgery at Johns Hopkins. He was a rather simple man with a burning curiosity. It was through his curiosity that he made many real contributions to medical science. I didn’t think he was an especially brilliant man, I just admired him for his curiosity, and for his perseverance.
Recorded Academy of Achievement interview source ↗
Question What is an unusual habit or small pleasure you are oddly fond of? Daily life
I don’t lead by force, I lead by example. And if I can, set a good example. If I can set an example to my staff and my group, by being punctual, I come to work every morning, walk onto the hospital floor within two or three minutes of the same time every day, and they can depend upon it.
Recorded Academy of Achievement recorded interview, American Academy of Achievement, 11 April 1991 source ↗

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