Do you rely on inspiration or discipline to make work?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Danny Elfman said elsewhere, not written here
Well, the reason I’ve survived for this long is because any film composer that has an extended career learns to work within deadlines. The deadline becomes the motivating factor in the same way that a pro athlete can do these incredible things with two seconds left in the game. It forces them into their best mode. For film composers, the clock does get us into a higher gear.

The Talks, published interview, 12 August 2022 source ↗

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Louise Glück Poet; winner of the 2020 Nobel Prize in Literature
Well, I hate the word, but it’s true that something sometimes visits and other times doesn’t. I wish I felt otherwise, but I feel as though there has to be some catalyst, some inspiration. All of a sudden there’s a phrase in your head. Where does that thing come from? I don’t know, and because I don’t know, I don’t know how to have more of them.
Recorded Academy of Achievement interview, Washington, D.C., 27 October 2012 source ↗
It's just, I would say, faith. I had very clear visions of me being a champion. When I saw this picture of Reg Park on a cover, standing there like - as Hercules, from the Hercules movies, I looked at that, and then I looked at the inside and I read the story, and I immediately started creating visions of me standing there on the pedestal at the Mr. Universe contest and me being Hercules and me doing movies and so on. And that created such unbelievable drive and such unbelievable will and discipline, that there was absolutely no stopping me. I mean, I went to the gym two hours every day lifting weights. When I came home afterwards, I lifted an extra hour and a half and did bodybuilding training, and it was just relentless.
Recorded David Greene, Talk of the Nation, NPR, 2 October 2012 source ↗
John Updike Novelist, poet and critic; twice winner of the Pulitzer Prize for Fiction
Right. It saves you from giving up. This present novel that will be out — Villages — I several times thought it might be a bad idea and kind of abandoned it. So, it was really the habit — the habit of writing that kept me at it in the end. It was like a bad marriage. I mean, whatever. This is the wife I’m married to here, and I’m going to finish this book. Finishing it becomes the only way to get rid of it. So yes, it’s good to have a certain doggedness to your technique.
Recorded Academy of Achievement interview, Chicago, Illinois, 12 June 2004 source ↗
Tiler Peck Principal dancer, New York City Ballet; choreographer
Well, you’re right, I think the hard work definitely paid off. My grandmother drove me three hours to dance and three hours back from age six to age 11. I would do my school work in the car on the way there and then get home at like 11 o’clock at night, five days a week for many years. My training was seriously intense, and nothing came easy. I worked for everything I’ve ever been given.
Recorded The Talks, published interview, 6 July 2022 source ↗

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Question How does a new work begin for you? Craft & work
No, they are three completely different processes. In film, I try to really blank out my mind when I see the film for the first time so that I have no preconceptions. Early on in my career, I tried to do all this prep or even read the script and write music, but none of it ever survived. And I realized the best way to go at it was to be as blank as I can possibly be. When I’m writing classical music, it’s much more nerve-wracking because I’m starting with nothing! And I don’t have a picture to drive me on. I am wired now, for 38 years, that I see a moving picture, I hear music, you know what I mean? But with classical, I got nothing, and at first that was totally terrifying. But I forced myself into it, and then something develops, and it becomes very liberating. With the rock music, it’s a whole different process. I mean, I can’t do anything until I get the message.
Recorded The Talks interview, 12 August 2022 source ↗

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Arlo Parks, Esperanza Spalding, László Krasznahorkai, Frank O. Gehry, Charles H. Townes, Louise Glück

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