What do you do when you feel creatively blocked or stuck?

Originally asked

The Creative Independent, to working artists, its interview series

A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Catherine Lacey said elsewhere, not written here
The impulse to make something is generally related to something that you need to say. When it feels like a rock in your shoe or something, and you have to get it out. It’s very clear. Sometimes you get it out, and it’s not very useful. Often, I’ll finish working on something and it’s not in a state that I need to give it so somebody. The getting it out was necessary for me.

Maura M. Lynch, The Creative Independent interview source ↗

Others on this question

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Tao Lin American novelist
I imagine people with writer’s block feeling unable to think of something to write about. I haven’t had that problem, but I’ve had something where I have too many things I want to write about and I feel unable to focus on one for sustained periods, and it feels like writer’s block in that I feel stuck. I keep becoming interested in one of the other things and my motivation keeps changing or disappearing and it usually takes something major from outside, like a book contract, for me to finally focus on one thing.
Recorded Willis Plummer, The Creative Independent interview source ↗
Winston Churchill Prime Minister of the United Kingdom, 1940–1945 and 1951–1955; Member of Parliament 1900–1964
At that moment the loud approaching sound of a motor-car was heard in the drive. From this chariot there stepped swiftly and lightly none other than the gifted wife of Sir John Lavery. 'Painting! But what are you hesitating about? Let me have a brush—the big one.' Splash into the turpentine, wallop into the blue and the white, frantic flourish on the palette—clean no longer—and then several large, fierce strokes and slashes of blue on the absolutely cowering canvas. Anyone could see that it could not hit back. No evil fate avenged the jaunty violence. The canvas grinned in helplessness before me. The spell was broken. The sickly inhibitions rolled away. I seized the largest brush and fell upon my victim with Berserk fury. I have never felt any awe of a canvas since.
Recorded Essay first published in the Strand Magazine in 1921–22 and collected in Amid These Storms, 1932, Winston S. Churchill, Painting as a Pastime, Project Gutenberg Canada, 1932 source ↗
Tyler Bates American musician, producer, and composer
It’s lame to say, “Well, there’s this book,” but I would only mention this book—The War of Art by Steven Pressfield—because it is a super-easy, fast read. And it really is written for artists and entrepreneurs. One of the concepts that he lays out is, it’s a matter of us not brushing over the things that are important or giving ourselves excuses to not do the work that we don’t want to do.
Recorded J. Bennett, The Creative Independent interview source ↗
Zaldy Goco Fashion and costume designer
You just have to remember that you’re a creator and not a machine. You just have to know when you’ve got to step aside and either move onto something else or just stop until the moment feels right again.
Recorded T. Cole Rachel, The Creative Independent, 20 April 2017 source ↗

More from Catherine Lacey

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Question How do you know when a piece of work is finished? Craft & work
I’m the worst about this. I often don’t know. I’ll have 14 small victories while I’m working on something. I’m like, “It’s done,” and I show it to somebody and they’re like, “Is it?” They ask me a couple questions, or I’ll realize myself like, “I think it’s done,” and then a few days later I’ll realize that, “Oh no, I’m still having ideas about it.”
Recorded Maura M. Lynch, The Creative Independent interview source ↗

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