I come from the generation who were taught never to throw things out. I like the idea of hanging on to things and repairing items rather than discarding them. It’s not a question of money, more to do with guarding resources and not being wasteful. My children laugh at me when I sit darning a pair of socks.
What is an unusual habit or an absurd thing that you love?
Question
What small daily thing do you do that most people would consider a waste of time?
Daily life
Question
How do you know when a piece of work is finished?
Craft & work
Question
What do you do when you feel creatively blocked or stuck?
Craft & work
Listening to the sound of rain. Almost every time it rains, I start recording it. Almost each day. What else? Sensing the movements of the wind. Those very subtle things give me so much pleasure.
Slant Magazine, Slant Magazine interview, around the release of Ryuichi Sakamoto: Coda, 25 April 2018 source ↗
Others on this question
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Agnès Varda
Film director, photographer and installation artist
Jocelyn Bell Burnell
Radio astronomer; discoverer of pulsars
Occasionally there would be something I didn’t recognise and I’d record it with a question mark or, as a joke, LGM for Little Green Men. It was easier than saying “you know that funny pulsing source at right ascension 1919, declination plus 20”. So, it became LGM.
Recorded
Louise Walsh, University of Cambridge 'Journeys of Discovery' interview series, 1 January 2020
source ↗
Alice Waters
Chef, restaurateur and food activist
And what happens for me is that I make a pot of beans on Sunday. And I also make some greens with chard, whatever I have available. And when I come to cook a meal or even to make myself breakfast, I may warm up some of those beans. I put a little tortilla right on the fire. I fill it up with the beans, maybe a little hot pepper, and I eat it. And that takes me exactly two minutes, three minutes, maybe. But it’s knowing how to cook. Those basic things have been taken away from us.
Mario Molina
Atmospheric chemist; Nobel laureate in Chemistry, 1995
I then converted a bathroom, seldom used by the family, into a laboratory and spent hours playing with chemistry sets. With the help of an aunt, Esther Molina, who was a chemist, I continued with more challenging experiments along the lines of those carried out by freshman chemistry students in college.
Recorded
Laureate-written autobiography, provided by the laureate in November 2007, Nobel Prize Outreach, 1 November 2007
source ↗
More from Ryuichi Sakamoto
View profile →It’s wasting time to listen to music when you go outside because there are so many interesting noises. For example, every time it rains, I open the window and put the recorder outside. I should always be ready to be surprised, like by the siren of a patrol car in Barcelona and other cities. I hit things, on the street or anywhere, to check the sound—until I find the perfect idea of sound. I haven’t found it yet and am always searching.
I guess it’s by some degree of my own satisfaction. It’s not numeric. For instance, I’m very proud of async , but in the 90s, I was making fake R&B, fake House music, and fake Hip-Hop music. I don’t like that. I’m not happy about it. I wish I could erase that time. Making film music is different. It’s for other people, not yourself. It is still my own music, but it’s for other people. My solo work is entirely for myself, so it’s judged by my own satisfaction and whether I have proceeded enough, if I have pushed myself to another level. That’s how I judge it.
You know, I have doubts, but the images, like the movies, always inspire me. So when I’m empty, vacant, I start watching any movie, b-class, c-class, it’s okay. B-class kung fu movies are so inspiring. The music, for kung fu movies, very old kung fu movies, not sophisticated ones, is so inspiring. They’re so wild. I was watching those kung fu movies while I was making async .
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