If I start to feel stagnant, going to see a good show always helps. Watching a great band makes me want to play music. Like, when we opened for Queens of the Stone Age a few years back. I was unsure where I wanted to go next musically, and had a feeling, like maybe I should do another acoustic album… I was starting to put some invisible pressure on myself instead of letting my instincts lead. But after a couple nights of watching Queens play these rock ‘n’ roll songs that have been my favorites for years, it was like, “No, fuck that, I want to play heavy music and let some aggression out,” so then I started working on Abyss .
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Brandon Stosuy, The Creative Independent, 15 January 2021 source ↗
Others on this question
View all 71 →In my own life I think there are times when I’m not in the mood to write, but I don’t consider that to be writer’s block. If I really don’t want to enter my own book in progress, I’ll try to think about why and find a way around that. So I start from the beginning cleaning it up. Almost treat it like it’s a messy room and clean it up. Or if there’s a scene that I don’t want to write because it bums me out, maybe I’ll just work on a different scene and come back to it. Or I’m having trouble writing because I haven’t done enough research. So I go do the research. I try to troubleshoot, or figure out what the underlying reason is.
You know, typically I like to draw when I’m in a good mood. It’s difficult for me to start a drawing when I’m not in a good mood because my work, in it’s essence, is very free and very light. For that to take place, you also have to feel quite free and quite light.
Yes. I try not to overdo it. I think it comes down to the people, and there are several people I take the time to talk with. Different types of friends. I also like the transportation time when I’m traveling, like on an airplane. Those times allow me to see things I was missing, when I was only looking at the outside. Perhaps I travel in seek of that.
More from Ryuichi Sakamoto
View profile →I guess it’s by some degree of my own satisfaction. It’s not numeric. For instance, I’m very proud of async , but in the 90s, I was making fake R&B, fake House music, and fake Hip-Hop music. I don’t like that. I’m not happy about it. I wish I could erase that time. Making film music is different. It’s for other people, not yourself. It is still my own music, but it’s for other people. My solo work is entirely for myself, so it’s judged by my own satisfaction and whether I have proceeded enough, if I have pushed myself to another level. That’s how I judge it.
Listening to the sound of rain. Almost every time it rains, I start recording it. Almost each day. What else? Sensing the movements of the wind. Those very subtle things give me so much pleasure.
It’s wasting time to listen to music when you go outside because there are so many interesting noises. For example, every time it rains, I open the window and put the recorder outside. I should always be ready to be surprised, like by the siren of a patrol car in Barcelona and other cities. I hit things, on the street or anywhere, to check the sound—until I find the perfect idea of sound. I haven’t found it yet and am always searching.
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