I already knew this, because I had been studying classical ballet for a long time. But a lot of people insisted on a wall between modern dance and ballet, that the two disciplines were totally separate, and if you did one, you couldn’t do the other. I’m beginning to think that walls are very unhealthy things.

Too many people who go to the best schools, and get great grades, are confronted with a choice of trivial work that is very high paid, and has some sort of surface status, like senior partner in a law firm, or corporate executive, but most of the work can be done by anybody.

Yeah, and it’s made it considerably more difficult. It’s funny when you look back now, because everybody’s sort of copied those films. They’re so ingrained in the culture now, it’s almost impossible to think there was a point where those things were completely odd and unique.

I never got to the point where I felt that nonviolence was not viable. ... I realized that it wasn’t that it wouldn’t work, it’s that people didn’t follow the proper steps in trying to achieve it because there are a set of principles and there are a set of steps in the methodology that we were taught about nonviolence. And when we follow those they work.

We also believe in straight-talking, telling it as it is, using simple language that people understand, telling people about the downsides as well as the potential upsides, and even telling the bad news that no one wants to utter, like our lack of belief in the sustainability of the Icelandic financial sector that already we had months before the collapse hit us.