How do you know when a piece of work is finished?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Marissa Zappas said elsewhere, not written here
I think it’s similar to writing a poem, in a way. It’s almost like, when there’s nothing left to remove from the formula, it’s done. Or honestly just when I get tired of working on it, that’s real.

Shy Watson, The Creative Independent, 25 November 2022 source ↗

Others on this question

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Angélica Negrón Puerto Rican composer
My pieces are never done, at least for me. It’s an open-ended inquiry process driven by curiosity. I might have a sense that a piece “is completed” for a premiere, or for a showcase, but there’s always the possibility of going back and revisiting it, and I think leaving it open-ended is also a way for me to keep my sanity.
Recorded Miriam Garcia, The Creative Independent interview source ↗
Lizzy McAlpine American singer-songwriter
Songwriting-wise, it’s very easy to tell. Sometimes I’ll write a full song with a chord progression that I like, but it won’t feel like the final thing I have to say about a topic. Like, these aren’t the right words. I haven’t gotten to the [core] of what I want to say—I know it’s there, but I haven’t reached it. I’ll usually take that chord progression and write something else with it. And I’ll just keep writing songs until I get to the bottom, just digging layer after layer after layer, and eventually I’ll get to the truest form of that song, and the truth behind what I was trying to say. When I’ll get there, I don’t know, but I’ll always know when I haven’t.
Recorded Angelina Mazza, The Creative Independent interview source ↗
Chitra Ganesh Visual artist
Sometimes it’s about time. When the completion is dictated by some kind of deadline-based condition, then I feel like I know it’s done when there’s the right balance of things in the work. Sometimes that means having to remove a chapter or a figure or a whole set of ideas from the work because there wasn’t enough time and space for all of those things to be treated with equal sensitivity and care, or because keeping every element in the mix would obfuscate or dilute what was at the core of the work. To help me arrive at a state of “doneness” or resolution, I do have a few people that I trust and share my work with. You have to be able to take criticism, ideally from comrades and colleagues whose values are aligned with yours. It’s not just about what it looks like, but trying to understand how a project can help me evolve larger guiding principles.
Recorded Anupa Mistry, The Creative Independent, 17 March 2022 source ↗
Taja Cheek American singer and songwriter
Sometimes when I listen to it, I’m still editing it in my head a little bit. At a point, you need to realize that you have to stop and be outside of yourself. You want to take it seriously, but you also know in your heart that you’re making it worse by over-editing or over-processing or over-adding.
Recorded Brandon Stosuy, The Creative Independent interview source ↗

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