The question

How do you tell when a piece of work is done?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

MH
Marya Hornbacher

American journalist and author

Recorded said elsewhere, not written here
Michael Chabon talks about staying with projects that you should abandon. He talks ignoring what he called “the hand of dread,” which would grip his throat every time he sat down to write. He worked on this project for five years and I took that to heart. I’m like, “Don’t ignore the hand of dread. If you know, the project is wrong, walk away or you’re not ready to write the project walk away.” And it doesn’t, at that point, matter whether the publisher thinks it needs to come out or not.

Elle Nash, The Creative Independent interview source ↗

Others on this question

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Catherine Lacey English actress
I’m the worst about this. I often don’t know. I’ll have 14 small victories while I’m working on something. I’m like, “It’s done,” and I show it to somebody and they’re like, “Is it?” They ask me a couple questions, or I’ll realize myself like, “I think it’s done,” and then a few days later I’ll realize that, “Oh no, I’m still having ideas about it.”
Recorded Maura M. Lynch, The Creative Independent interview source ↗
Marissa Zappas Perfumer and writer
I think it’s similar to writing a poem, in a way. It’s almost like, when there’s nothing left to remove from the formula, it’s done. Or honestly just when I get tired of working on it, that’s real.
Recorded Shy Watson, The Creative Independent, 25 November 2022 source ↗
Tabita Rezaire Video and new-media artist and yoga teacher
Often it’s the deadline, to be really honest. Also, research is my favorite part. I could just research forever. But then I actually need to produce. Maybe that’s why the offering part is so beautiful, because each offering/performance is different because it’s a different time, it’s a different space, and I’m a different person. Each day you’re a different person, and because the people you’re doing this with are also different, the work changes. Maybe you’ve found something else that inspired you, so you add it and let the work grow. It grows infinitely, alongside you. With video, it’s set, so it’s harder to add to it even if sometimes you’re kind of like, “Oh my god, I would love to add this.” With embodied practice it’s easier. It grows with me. That’s something I love, especially because my research never ends. It’s ever evolving.
Recorded Brandon Stosuy, The Creative Independent, 16 February 2023 source ↗
Natalie Mering Singer-songwriter, recording as Weyes Blood
For me, nothing’s ever really done. I have to be cut off because I could record infinitely, so usually a record is done when it has to be, with some kind of created deadline. Or if somebody I’m working with says it’s done, that helps, because I’m just so unhinged that I need limitation. You can make a really great record with limitations. Limitations help incubate a specific thing. If you got to do whatever you want for as long as you want, you might not have that kind of magic.
Recorded Gary Canino, The Creative Independent, 26 June 2017 source ↗

More from Marya Hornbacher

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Question What do you do when you feel creatively stuck? Craft & work
I think most of the ways we get stuck are self-imposed, but I also think most of our problems are in how we respond to the world or our situations. So I can’t say it’s false. I can’t say it’s not a thing. I think what it is is a broad term for the experience of being creatively stalled, or not being able to align your vision with your practice. The points where I’ve found myself stuck have been points where I could imagine what I wanted to write, and did not have the skill, or did not have the tools, or did not have the bandwidth, or did not have the space, or the money, or the time. That writer’s block. I will also say, as an addendum to that, I think a lot of what people call writer’s block right now is such a profound level of distraction that it isn’t actually writer’s block, it’s a block of [having too much] online and screen time.
Recorded Elle Nash, The Creative Independent interview source ↗

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