I keep messing with it until it gets to the mix table. Sometimes you can’t just change the whole song, but maybe I can change a verse in the very last moment or a chord or the introduction to the song, or the song’s order, some fade-ins or fadeouts. It’s a tough process letting go, saying, “This is it. It’s going to be this way. There were multiple choices, but we’ve chosen this one.” But it’s also a relief because it means you stop wondering. You stop thinking about it and you just let the songs find their own way and say goodbye to them and hello at some point because you’re going to start playing them live and it’s a way to actually get to know your song once you finished it. I usually know. It feels like a release to let go of a song.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Elle Nash, The Creative Independent interview source ↗
Others on this question
View all 67 →I think that’s an instinct.
A piece is finished when I don’t have anything more to say. My works are suggestions and I tend to create series of works to avoid routine. Of course I test every painting for its legitimacy. Worst case the canvas gets torn, painted or pasted over.
I can tell you exactly and this is a really good lesson that I had to learn. The song gets sent in some format or another, and I add to it what I think is mine to add to flesh out what was being sent. At a certain point what I’ve noticed is if I get into this space where I think “Oh and I need to add this and then I need to add that,” which is not really coming from the song, but from my own ego. I don’t mean that in a negative way, but just it’s just coming from me, it’s not the impulse of the music itself, then inevitably it starts sounding terrible to my ears. I’ve lost a couple pieces because of that. My motto is to try to stay very sensitive to when the piece is expressing what it came to express, and that I have augmented to make sure that it can be understood, but that I haven’t taken it off some place that it had no intention of going.
More from Marya Hornbacher
View profile →I think most of the ways we get stuck are self-imposed, but I also think most of our problems are in how we respond to the world or our situations. So I can’t say it’s false. I can’t say it’s not a thing. I think what it is is a broad term for the experience of being creatively stalled, or not being able to align your vision with your practice. The points where I’ve found myself stuck have been points where I could imagine what I wanted to write, and did not have the skill, or did not have the tools, or did not have the bandwidth, or did not have the space, or the money, or the time. That writer’s block. I will also say, as an addendum to that, I think a lot of what people call writer’s block right now is such a profound level of distraction that it isn’t actually writer’s block, it’s a block of [having too much] online and screen time.
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