I couldn’t have asked for better collaborators on the stage play than John Tiffany (director) and Jack Thorne (writer).

But when you say to someone, “I don't understand this and I'm asking your advice because you're better at it than me,” by doing that and involving people and making the film truly a collaborative process, you get much better results. You get a better film and you get happier people and get an atmosphere on the set that is truly creative.

You're missing it. This is not a one-man show. What's reinvigorating this company is two things: One, there's a lot of really talented people in this company who listened to the world tell them they were losers for a couple of years, and some of them were on the verge of starting to believe it themselves. But they're not losers. What they didn't have was a good set of coaches, a good plan.

I have reached the point in my career where I can choose my collaborators and the artists I want to create with. My Kinetic Light partners, Laurel Lawson and Michael Maag, are my dream collaborators, and Kinetic Light is the place, time, and people with whom I am making some of the most creative and meaningful work of my life.

I have a tip that can take 5 strokes off anyone's golf game. It's called an eraser.

I have a tip that can take 5 strokes off anyone's golf game. It's called an eraser.

I have a tip that can take 5 strokes off anyone's golf game. It's called an eraser.

I have a tip that can take 5 strokes off anyone's golf game. It's called an eraser.

I have a tip that can take 5 strokes off anyone's golf game. It's called an eraser.

I have a tip that can take 5 strokes off anyone's golf game. It's called an eraser.