Running out of ideas.

Pigeons. One got stuck in my flat once for quite a long time and it really changed how I feel about them.

Losing my family.

At age 97 and counting, guess.

If I had found something that was better than TM, I’m not stupid, I would have gone and done that. We’re looking for the best thing we can get for ourselves.

Intuition? They say intuition is sort of feeling and intellect going at the same time. It’s a knowingness. As I always say, it’s knowing when something isn’t quite correct and then knowing a way to make it correct. And intuition is, I always say, the number one tool for the artist, I think the number one tool for people in business, perhaps the number one tool for human beings. Knowing how to do something, how to make it feel correct for you.

But there’s always a way. Sometimes restrictions are a big blessing.

The studios are superreluctant to give final cut. They have so much money riding on these things, so they want a committee to go and rule the roost.

An idea comes. Scripts are organised ideas. When you read a script, it comes alive in your head. And that aliveness in the head is like seeing it and hearing it and knowing it. Or if an idea comes from outside, boom, you catch it in your brain and you see it and you hear it, and you know it. You sometimes fall in love with these things. All you do in cinema is translate those ideas. They talk to you, so you just stay true to the idea and translate it as good as you can.

Well, my family moved to Alexandria, Virginia from Boise, Idaho when I was in the eighth grade. Pretty soon after that, one night, on the front lawn of my girlfriend’s house, I met a boy named Toby Keeler, who went to a private school. He told me his father was a painter. At first I thought he meant a house painter, but then he said, “No, fine art painter” and a bomb went off in my head. In that millisecond, I only wanted to be a painter.