Well, it’s very simple for me. It’s pretty much always the same. I might have certain things swimming around in my head. We all always do. What’s been on your mind lately? You could ask anybody that, and you’d get a couple of answers. But, I always jump in. I always just try to think of a first sentence. Well, actually, I decide firstly if it’s going to be in third person or first person. And then I just think of something, I just get something moving.

It depends on the project. I’m working on a novel now, which started by taking a weird interest in something and circling around it. I think in the early stages, I like to do a lot of really rough draft brainstorming, trying to generate a lot of words, even though I know they’re not going to be part of the final draft. I find first drafts challenging and, actually, I prefer the revision stage, because it seems so daunting to create something out of nothing.

It can be combining something disparate. With Greenberg , for example, I had the idea with the character and I wanted to make a movie in L.A. and about L.A. Then I put the two things together and that was the movie. With Francis Ha I wanted to do things in black and white, in New York, and with Greta Gerwig. These are the more conscious things.

Good question. The novel began with Sten and his story, which then suggested the rest. I always follow that first line and always write organically, in sequence. This allows me to make the discoveries I need to as I progress. I don’t really concern myself with questions of which character takes precedence—again, that lies outside my purview. I see this as a kind of ensemble piece, I suppose, like the novel that precedes it, San Miguel , told from the perspective of three women.

Absolutely. My friend Charlie Lutes said the most we can do for ourselves is to take that dive within twice a day, bringing out more and more of that consciousness within and that consciousness has qualities, qualities of intelligence, creativity, happiness, love, energy, power, peace. All these things you’re gonna get more and more of. You cannot lose.

I’ve had this fear…the fear of being restricted—in every way.

And yet I can’t tell you, for no one can prove what happens on the other side. It’s like anybody’s guess until it happens. You can say, I believe this would happen, but you can’t prove it.

The studios are superreluctant to give final cut. They have so much money riding on these things, so they want a committee to go and rule the roost.

consciousness is the “I am-ness” of life. We can only say, “I am,” because of consciousness. And without consciousness, we wouldn’t exist.

Intuition? They say intuition is sort of feeling and intellect going at the same time. It’s a knowingness. As I always say, it’s knowing when something isn’t quite correct and then knowing a way to make it correct. And intuition is, I always say, the number one tool for the artist, I think the number one tool for people in business, perhaps the number one tool for human beings. Knowing how to do something, how to make it feel correct for you.