Just realizing that the block’s part of it. There’s always a week or two, or even a full month, where I’m convinced I’ll never write again, that everything was a fluke before. Or I’m writing, and I can’t tell if it’s inspired or shitty, but I don’t really freak out like I used to. I know that it’s just part of eventually figuring it out. It used to make me panic, but now I know it’s just what happens.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
T. Cole Rachel, The Creative Independent interview source ↗
Others on this question
View all 66 →I think I get writer’s block all the time in every session that I do. There are always going to be blocks that happen. You should treat yourself cyclically, you’re going to go through periods where you just need to be intaking.
You know, typically I like to draw when I’m in a good mood. It’s difficult for me to start a drawing when I’m not in a good mood because my work, in it’s essence, is very free and very light. For that to take place, you also have to feel quite free and quite light.
Just by not giving up, I guess. It was extremely difficult. Oh god, I’m hesitant to think what this interview’s gonna look like… I don’t wanna seem like the guy who’s always doing difficult things. But yes, I had writer’s block. It was massive. And I came out of the recording session for Melana Chasmata thinking this was the most difficult album I’ve ever done in my entire life. And I had already thought that after Celtic Frost’s Monotheist and after the first Triptykon album. But now I find myself in a situation where I’m working on the third Triptykon album, and I have exactly the same feeling. So maybe I’m just psychologically sick. I don’t know.
More from Suzanne Vega
View profile →Ten more closets: I am a hoarder.
The most extravagant thing was a bottle of 1904 armagnac for $1,000. I spent $10,000 on a Martin guitar in the 90s. I also spent $100,000 on a Fairlight keyboard and I ended up giving it away. Oh well.
How little money really changes things. It buys doctors but not health, clothes but not taste, makeup but not beauty. When I was young and didn’t have anything, I imagined money had more power.
It feels like a yearning but also a kind of overwhelming glowing out.
Hormones – other than that, I sleep like a rock.
Something by Leonard Cohen, I haven’t figured out which song yet.
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