There are a few. As far as getting started, lots of people who really want to make a song have figured that out already. I very rarely get asked for advice from people who have never written a song and want to know how to get started. It’s usually about getting stuck or feeling like they’ve painted themselves into a corner. I remember getting asked a question from this one kid who was probably 13 years old. He wanted to know if it was okay to always write in A minor. He liked writing classical piano pieces and his favorite key was A minor. My favorite key is also A minor, so he wanted to know if that was okay.
Originally asked
The Creative Independent, to working artists, its interview series
A recurring Creative Independent question whose wording distinguishes a lasting block from a temporary impasse.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Willis Plummer, The Creative Independent interview source ↗
Others on this question
View all 66 →I have a DJ side that I’ve developed, and so when creative blocks hit me I tend to spin a lot more than usual. Also, just trying my hand in other fields. I’m looking at sewing classes the next time I have a creative block.
Oh, my god. Every day. I listen to a lot of podcasts about artists, screenwriting and stuff. Some people say they don’t get writer’s block. I’m like, “What the fuck? How?” I get writer’s block every day. I get stuck all the time because you always hit a road block. You think what you planned before was going to work out so smoothly and then you start writing and it doesn’t quite flow the way you want it to, or the structure may not be working. Happens all the time. But for me, I have a lot of people I trust and can bounce ideas off of… I’ll send the script to other filmmakers and ask their opinions. I have a lot of people that I trust and that I can really talk things out with. I think the thing that’s helped me the most is being able to talk it out.
I don’t. The process of trying to get to something is part of it. Sometimes I don’t have much of an idea initially. For me, studio time is also about reading and looking at things. I might spend a couple weeks just reading something or looking through images or doing image searches or going to museums and thinking in front of great paintings. And then at some point I start to get back to my own ideas and how they can form into something that has meaning for me.
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