A mortician – I worked in a funeral home when I was 14.
Originally asked
The Guardian, to a different person each week, The Q&A
This is a standing question in The Guardian's decades-long The Q&A and also recurs independently in career and life interviews.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Nick Dawson, Filmmaker Magazine, 29 March 2019 source ↗
Others on this question
View all 226 →An artist, an interior designer and a vet.
When I was about 14 and got my first drum kit, I wanted to be a drummer in a band like the Police.
A pilot or a ranger in the bush.
More from Agnès Varda
View profile →I have never made any money from my films but I have won prizes and recognition. I have been on the margins forever. They all came to see me receive the award - there was Tom Hanks, Steven Spielberg and Richard Gere and so on. I was imagining what they would all be worth in money terms. You see I was never bankable, I could not bring any money ever to the table. I like the friendships and, yes, the admiration but I don’t want to make a big fuss about it. I will go on working as long as I am able!
I remember meeting the photographer Brassaï. I was a young photographer. He said, “Take your time, look at things. Look carefully.” I liked the idea that it’s not the act; it’s what you have in mind before you take a picture.
What I notice or discover has to grow in my mind. I always wait until the ideas and impulses are so strong that they invade my mind and I have to pursue them.
Well, I don’t agree with Sartre. I like others.
Since 1973, I had written a few screenplays on feminist subjects, but nobody wanted them.
I come from the generation who were taught never to throw things out. I like the idea of hanging on to things and repairing items rather than discarding them. It’s not a question of money, more to do with guarding resources and not being wasteful. My children laugh at me when I sit darning a pair of socks.
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Sue Perkins, Isabelle Huppert, Warwick Davis, Roger Allam, Joanna Scanlan, Fay Ripley
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