I stop, but I don’t throw anything away. I don’t put pressure on myself to finish anything. I usually just think, “Okay I had this idea for a reason, but it’s just not working right now. Let me go take a walk.” I can only do like 20, 30-minute intervals, because I’m so fast. If I have an idea, I can get it down quickly. Once it’s down, it’s down. I don’t have to make a whole album out of it. I’ll literally just go outside for a walk for 20 more minutes and then come back. It depends on what the deadline is, but usually I’ll just write it down, make a little something, think about it for five or six days, and then go back to it.

Just by not giving up, I guess. It was extremely difficult. Oh god, I’m hesitant to think what this interview’s gonna look like… I don’t wanna seem like the guy who’s always doing difficult things. But yes, I had writer’s block. It was massive. And I came out of the recording session for Melana Chasmata thinking this was the most difficult album I’ve ever done in my entire life. And I had already thought that after Celtic Frost’s Monotheist and after the first Triptykon album. But now I find myself in a situation where I’m working on the third Triptykon album, and I have exactly the same feeling. So maybe I’m just psychologically sick. I don’t know.

For sure. I think that’s why I also work in other mediums. Sometimes I have the urge to make something. Sometimes I want to make a poem but at that moment I can’t for whatever reason, so I work with other materials. I like to do sculpture; my sculptures are usually more like objects. I also play music here and there, but I just do these things to kind of help me with writing… I use these other ways of making to help keep my wheels moving in one way or another, and eventually the language will come for writing. Sometimes I do get writer’s block, but I have never really viewed it in that way. I still try to make things even if I don’t have the language or words to put to it in at the moment.

You know, typically I like to draw when I’m in a good mood. It’s difficult for me to start a drawing when I’m not in a good mood because my work, in it’s essence, is very free and very light. For that to take place, you also have to feel quite free and quite light.

I don’t think that is tough, because if you have an idea of something meaningful to communicate, you can move forward on that. You might not be successful in communicating what you want to communicate, but at least you have an idea of something that needs to be said, or something that you think should be said, and I think you go from there.

Barack Obama has shown us how to be a politician guided by intelligence, integrity, and compassion.

Laziness. After 30 years of being a disciplined athlete with an intensely tight schedule, I still can’t forgive myself for letting things slide.

Being surrounded by my friends and family. Just listening to them interacting, laughing, sharing. It is the culmination of everything I could have hoped for.

I had self doubts when I was a freshman in high school. I was 14 years old and not very mature, and there were a few incidents in my freshman year. I learned in a very competitive environment. The high school environment that I played in was very intense, and I learned how to be stoic and go out and compete.

My college years, when everything was possible and I felt physically invulnerable.