Having bought the colours, an easel, and a canvas, the next step was to begin. But what a step to take! The palette gleamed with beads of colour; fair and white rose the canvas; the empty brush hung poised, heavy with destiny, irresolute in the air. My hand seemed arrested by a silent veto.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, 1989 source ↗
Others on this question
View all 63 →I remember being present when a Jesuit priest in Rome asked Tennessee Williams, “How do you write a play?” and Tennessee said, “Well, I start with a sentence.” Well, I start with a sentence, and that’s how you write a book.
Good question. The novel began with Sten and his story, which then suggested the rest. I always follow that first line and always write organically, in sequence. This allows me to make the discoveries I need to as I progress. I don’t really concern myself with questions of which character takes precedence—again, that lies outside my purview. I see this as a kind of ensemble piece, I suppose, like the novel that precedes it, San Miguel , told from the perspective of three women.
No. I think when I first started writing songs, I was approaching it more literally or narratively in the beginning, but through observing some of my close friends and some of my heroes write, I pretty quickly shifted into at least starting the process from a more subconscious space, or a more instinctual space. And I’ve really come to believe that it’s all there. It’s all already there, and if you can just kind of open the window and step out of the way, at least at the beginning of the process, with your subconscious mind, you can unearth so much raw material, and then go back and sift through that and shape it.
More from Kareem Abdul-Jabbar
View profile →Laziness. After 30 years of being a disciplined athlete with an intensely tight schedule, I still can’t forgive myself for letting things slide.
Loyalty. Not fawning, but a loyalty based on our shared love and history that fosters compassion and forgiveness.
I don’t think that is tough, because if you have an idea of something meaningful to communicate, you can move forward on that. You might not be successful in communicating what you want to communicate, but at least you have an idea of something that needs to be said, or something that you think should be said, and I think you go from there.
Barack Obama has shown us how to be a politician guided by intelligence, integrity, and compassion.
Dishonesty. It destroys relationships. It’s something celebrities especially have to guard against because people are prone to tell you what they think you want to hear rather than the truth.
I had self doubts when I was a freshman in high school. I was 14 years old and not very mature, and there were a few incidents in my freshman year. I learned in a very competitive environment. The high school environment that I played in was very intense, and I learned how to be stoic and go out and compete.
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Also answered this
Winston Churchill, Phyllis Bramson, Tony Bechara, Robert Wilson, James Rosenquist, Curtis Sittenfeld
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