I usually start with a structure. The structure is quite rigid. So I have a strong form or frame. A work like Einstein on the Beach is like that: Act One, Two, Three, Four. Act One is A and B. Act Two is C and A. Act Three is B and C. And Act Four is all three together, A, B, and C. So, I knew it was going to be based on theme and variation, and once I get that, I can be freer to fill in the form. Without it, I don’t know how to fill it in – it’s like an architect builds an apartment building: you can live in the building, I can live in the building, other people can live in the building. They each have their apartment to their own liking, but the building has a cohesion because the architect has built it.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Margot Atwell, The Creative Independent interview, 8 March 2022 source ↗
Others on this question
View all 63 →To be honest, it’s always different. I never know what I’m going to do when I get a new project! Sometimes I’m going to get a bunch of trace paper, I’ll make a silhouette and then just go through variations until I hit something nice. Maybe we put those sketches up on the wall. Or maybe I’m going to print the full-scale silhouette of this thing, or I’ll do it in 3D modeling… And on and on. The thing that’s consistent when I am in creation mode is that I have to be pretty particular about my schedule. I have to stay spiritually in tune. Exercise is really important for me because truth be told, I can have a lot of nervous energy that comes out at the beginning of any project, like, I have no idea how I’m gonna do this one! I don’t know what the process is going to be for this one, I don’t know how long it’s gonna take.
Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things. And the reason they were able to do that was that they've had more experiences or they have thought more about their experiences than other people.
Thank you. Yeah, I don’t write collections. Maybe someday that will happen, but Mercury is based on the Goldberg Variations and so it’s riffing off of that and that Baroque mode of theme and variations. And it is very much structured.
More from Brandon Sanderson
View profile →Well, art is never finished, it’s only abandoned, right? That famous quote. A project is done when I feel that I can’t make significant improvements to the story, I’m only going to start taking sideways steps. If I revise it, it doesn’t get better, it just gets different.
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