How do you know when a piece of work is finished?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Sandy Tran said elsewhere, not written here
I’ll taste it, taste it, taste it, taste it. I ask myself, “How can I make it better? It needs more whatever, salt, vanilla.” Taste it again, again, and again until I think, “Okay, this is it. Let’s not mess with it anymore.” Then I’ll taste it one final time and be like, “Okay, add a percent. Just increase it by one more percent, just a little bit more.” For example, salting a ganache, I’ll salt, salt, salt, salt, salt; taste it. Okay, it can use a little bit more salt. And then I’m like, “Okay, it’s good now.” And then, at the very final moment, I’m going to put a little bit more salt. Walk away. That’s good. Whatever it may be.

Nereya Otieno, The Creative Independent, 26 June 2026 source ↗

Others on this question

View all 67 →
Thomas Hooper British-Australian film director
I’ve been teaching myself to use pen and ink, like dip pens and ink. I’m getting to a point where I’m comfortable. I grew up looking at a lot of etchings, and it’s a little dream to be able to draw some of those etchings, so that’s what I’m doing, trying to teach myself. But there’ll come a point where I’m like, “I’ve got to leave this alone or I’m just going to screw it up.” And it looks done or quite often I’ll ask my wife what she thinks. I’ll be like, “What do you think?” And she’s like, “Don’t do anything else to it.” I’m like, “But I really want to do this.” And sometimes I’ll listen and sometimes I won’t.
Recorded Brandon Stosuy, The Creative Independent interview source ↗
Stephen Talasnik Installation artist and sculptor
The quote of “unfinished, but complete” was first introduced to my lexicon when I was studying the drawings of Michelangelo. I read about his work, and one of the art historians of the time said his drawings were purposefully left unfinished, but there was a sense of completeness to them. That was the philosophy I used as my religion, which was to create something that appeared unfinished but had a spiritual completeness to it.
Recorded Max Freedman, The Creative Independent, 27 March 2024 source ↗
Laurel Halo Composer, producer and musician
It’s always hard to decide when something’s done. To go back to the painting metaphor, maybe deciding something’s done is just letting the canvas dry and stepping away. There is this simple resignation that takes place. The benefit of working with collaborators is you get the take and that’s what you have. So that’s also something that helps push projects to completion. And also, scary deadlines. Scary deadlines are always a great way to finish projects, which is why composing can sometimes be a great antidote to whatever baked-in perfectionism I might have. With artist records, you can take years and you can say this isn’t good enough, but then you have a deadline for a project and they’re like, “We need the stems by Tuesday at midnight,” and you have to do it. Accepting something is good enough is a skill in and of itself.
Recorded Arielle Gordon, The Creative Independent, 23 March 2026 source ↗
Marissa Zappas Perfumer and writer
I think it’s similar to writing a poem, in a way. It’s almost like, when there’s nothing left to remove from the formula, it’s done. Or honestly just when I get tired of working on it, that’s real.
Recorded Shy Watson, The Creative Independent, 25 November 2022 source ↗

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