I think that’s the part of writing that I think is the most intuitive and unpredictable. What happens to me is that I—unlike other writers that I’ve known, particularly mystery writers— I don’t have an ending in mind. And it might happen when I get to a certain point that I think, “Oh, I know how this is going to end probably.” And then I write a little more, and I think, “Well, that won’t work.” So, what always happens is that as I approach the ending, I can sense myself coming to an ending. And then because I’ve been working for such a long time on the book, and it’s all in my head, and many things have happened supposedly, the thing just starts to draw tight. The threads start to come together. “Well, I’ve left this loose, and that loose, and that loose. So how can these be pulled together? And what can I say that would make a satisfying close?”
Originally asked
The Creative Independent, to working artists, its interview series
A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Lily Meyer, The Creative Independent interview source ↗
Others on this question
View all 67 →I’ll taste it, taste it, taste it, taste it. I ask myself, “How can I make it better? It needs more whatever, salt, vanilla.” Taste it again, again, and again until I think, “Okay, this is it. Let’s not mess with it anymore.” Then I’ll taste it one final time and be like, “Okay, add a percent. Just increase it by one more percent, just a little bit more.” For example, salting a ganache, I’ll salt, salt, salt, salt, salt; taste it. Okay, it can use a little bit more salt. And then I’m like, “Okay, it’s good now.” And then, at the very final moment, I’m going to put a little bit more salt. Walk away. That’s good. Whatever it may be.
My pieces are never done, at least for me. It’s an open-ended inquiry process driven by curiosity. I might have a sense that a piece “is completed” for a premiere, or for a showcase, but there’s always the possibility of going back and revisiting it, and I think leaving it open-ended is also a way for me to keep my sanity.
Well, art is never finished, it’s only abandoned, right? That famous quote. A project is done when I feel that I can’t make significant improvements to the story, I’m only going to start taking sideways steps. If I revise it, it doesn’t get better, it just gets different.
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