Haruki Murakami

Novelist, short-story writer and translator

Recorded said elsewhere, not written here
When I’m in writing mode for a novel, I get up at four a.m. and work for five to six hours. In the afternoon, I run for ten kilometers or swim for fifteen hundred meters (or do both), then I read a bit and listen to some music. I go to bed at nine p.m. I keep to this routine every day without variation. The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind. But to hold to such repetition for so long—six months to a year—requires a good amount of mental and physical strength. In that sense, writing a long novel is like survival training. Physical strength is as necessary as artistic sensitivity.

John Wray, The Paris Review, issue 170, Summer 2004, 1 January 2004 source ↗

Others on this question

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Ellie Simmonds British Paralympic swimmer, 2008–2021
I love swimming and I'll still be found in the pool, but now I'll be able to do without the 04:30 alarm!
Recorded Retirement statement issued through ParalympicsGB, 2 September 2021 source ↗
Magnus Carlsen Norwegian chess grandmaster; World Chess Champion 2013–2023
I would want to be a role model. As you talk about an athlete who wakes up at seven every day, then you have two training sessions...for me, it's not like that. I definitely think about chess all the time. I work at chess every day but it's not like I have a routine. It's always been based on inspiration for me. Fortunately, I haven't run out of inspiration yet...Sometimes I play better when I haven't slept that much, because you kind of play more creative.
Recorded On-stage interview, Milken Institute Global Conference, Los Angeles, Chess.com, 5 May 2017 source ↗
Hilary Mantel Novelist and critic
I used to be a late starter, but now I get up in the dark like a medieval monk, commit unmediated scribble to a notebook, and go back to bed about six, hoping to sleep for another two hours and to wake slowly and in silence. Random noise, voices in other rooms, get me off to a savage, disorderly start, but if I am left in peace to reach for a pen, I feel through my fingertips what sort of day it is.
Recorded The Guardian, 'My writing day' series, 16 April 2016 source ↗
Toni Morrison Novelist and editor; Nobel laureate in Literature, 1993
Writing before dawn began as a necessity—I had small children when I first began to write and I needed to use the time before they said, “Mama”—and that was always around five in the morning. Many years later, after I stopped working at Random House, I just stayed at home for a couple of years. I discovered things about myself I had never thought about before.
Recorded Elissa Schappell, The Paris Review, issue 128, Fall 1993, 1 January 1993 source ↗

More from Haruki Murakami

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Question What part of your job would surprise outsiders because it takes up so much of your time? Craft & work
I myself, as I’m writing, don’t know who did it. The readers and I are on the same ground. When I start to write a story, I don’t know the conclusion at all and I don’t know what’s going to happen next. If there is a murder case as the first thing, I don’t know who the killer is. I write the book because I would like to find out. If I know who the killer is, there’s no purpose to writing the story.
Recorded John Wray, The Paris Review, issue 170, Summer 2004, 1 January 2004 source ↗
Question What are you best at that nobody watching would notice? Craft & work
I want my readers to laugh sometimes. Many readers in Japan read my books on the train while commuting. The average salaryman spends two hours a day commuting and he spends those hours reading. That’s why my big books are printed in two volumes: They would be too heavy in one. Some people write me letters, complaining that they laugh when they read my books on the train! It’s very embarrassing for them. Those are the letters I like most. I know they are laughing, reading my books; that’s good. I like to make people laugh every ten pages.
Recorded John Wray, The Paris Review, issue 170, Summer 2004, 1 January 2004 source ↗

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