I agree with him, essentially, 100 percent. One has to devote oneself to a particular pursuit. To be successful at anything, you have to make a total commitment to it. We so often see students who would love to play baseball like one of their heroes, or would love to be on the basketball court or the football field. They don’t see the 99 percent effort that went into practicing making baskets, or practicing hitting the baseball, or practicing catching a pass on the football field. It takes a tremendous amount of perspiration, a tremendous amount of hard work that you don’t always see or appreciate in the end result. You will find this over and over. Most achievers I know are people who have made a strong and deep dedication to pursuing a particular goal. That dedication took a tremendous amount of effort. That is certainly true in my case. It took a tremendous amount of work to get from point A to point B.

You’re talking about going back to as a freshman in high school. Every day from August until — the season is growing in pro ball — but August to December. Practice is at this time. It’s 4:00 to 6:00 in high school, it’s 2:00 to 4:00 in college, and it’s 1:00 to 3:00 in pro ball, but that is your routine.

So I got this new attitude.  Now that I am burned out and I’ll never accomplish anything, I’ve got this nice position at the university teaching classes which I rather enjoy, and just like I read the Arabian Nights for pleasure, I’m going to play with physics, whenever I want to, without worrying about any importance whatsoever.

In the series I’ve got massive slabs of dialogue so I had to understand the scientific principles involved and then fake it to credibility.

Well, in a certain sense, the decision that I was the one who was going to be writing was already formed when I was 12 years old when I was spending those winter evenings reading Verne and other authors; I thought then that books were the best thing in the world. That this was something I wanted to do.

Well, that’s the optimistic reading of it, which you are never able to apply when it happens. You can read it this way when it’s over. Rationally speaking, it’s a period that’s needed, because the danger for every poet, I think, is to write too much. So these are the blessed moments of silence, protecting you from writing too many poems, diluting you and what you have to say in a stream of banal poems. It’s necessary, but still very painful, because I just don’t know what to do if I don’t write poems. I still survive, but it is painful.

Generally, my hours are during the first part of the day; hardly ever in the evening. The hours nearer noon, the zenith of the day, are good for working.

Happiness springs from having found a form of expression that also earns recognition.

So you are always confronted with life, with somebody’s life, not just intellect. You have to respect it; that’s the mystery of being with other people, that you are not with minds, your are with everything—with their sorrows and joys.

Yes, because it seems to me that poetry cannot be hermetically closed to thinking. And thinking always enters the field of contradiction. So it also has to do with the way I try to reconcile poetry versus thinking. … I think you’re right that for many American poets, poetry is almost an escape from the cruelty of thinking, from the choices you make when you think. Escaping your life—which may be tragic, but it’s not problematic. So I see it differently, as a necessity to confront these categories.