I’d read some of the things that Don Glaser wrote, for example, and they’re imaginative physics, they’re not quite such good biology. There was a consensus that said you had to be able to reach out from physics and get to some of these things you’d like to, but then you have to know enough about the biology that the whole thing makes sense. And you really have to present things in such a way that a community develops. I didn’t realize that at the time, but certainly one of the important things of what I did had to do with enabling people who came from physics, or who came from biology, become a community, working on not just one little problem or piece, but somehow collectively working together toward trying to get an understanding.

Perhaps we should give athletes the right to take a mental break from media scrutiny on a rare occasion without being subject to strict sanctions. In any other line of work, you would be forgiven for taking a personal day here and there, so long as it's not habitual.

I always say the Nubank story was very unlikely. It was a very low probability event. Again. We were going after these very big incumbent banks. Everybody told me, you know, you're Colombian. You have no idea what you're doing in Brazil. They're going to crush you. Like, don't. Just don't do it. And I did it mostly because everybody told me I couldn't do it. And so, if somebody tells me I can't do something, I want to go do it.

The next generation of telescopes will see millions of events per night with computers that sift through huge amounts of data. If we had had access to a computer, we would never have programmed it to look for something so unexpected. How do you pick up the things you don't know exist, the things you can't tell it to look for? My project was to study quasars, and then we accidentally stumble over these things called pulsars. They were totally unexpected, totally unknown – and it's been huge fun.

Well, that’s the optimistic reading of it, which you are never able to apply when it happens. You can read it this way when it’s over. Rationally speaking, it’s a period that’s needed, because the danger for every poet, I think, is to write too much. So these are the blessed moments of silence, protecting you from writing too many poems, diluting you and what you have to say in a stream of banal poems. It’s necessary, but still very painful, because I just don’t know what to do if I don’t write poems. I still survive, but it is painful.