Everybody is shifting to BEVs, this is the biggest fear for me. Three or four years ago, I was the only one to say to the media that I love smell, I love sound and I love engines, and I want to keep the jobs for engine suppliers.…But it seems to me that I’m the only one. I feel very alone.
Originally asked
Vanity Fair, to its interview subject, The Proust Questionnaire
The exact prompt is fixed in Vanity Fair's Proust Questionnaire and independently sustained in The Guardian's The Q&A over multiple decades.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Christopher Kemp, Interview, Salon, 12 December 2001 source ↗
Others on this question
View all 279 →Being on a plane that is about to crash.
Safety of loved ones.
Losing another child. (I lost one of my sons to suicide when he was 19.)
More from Kurt Vonnegut
View profile →I would try to write my war story, whether it was interesting or not, and try to make something out of it. I describe that process a little in the beginning of Slaughterhouse Five; I saw it as starring John Wayne and Frank Sinatra. Finally, a girl called Mary O’Hare, the wife of a friend of mine who’d been there with me, said, “You were just children then. It’s not fair to pretend that you were men like Wayne and Sinatra, and it’s not fair to future generations, because you’re going to make war look good.” That was a very important clue to me.
What makes life worth living are the saints I meet-they can be long-time friends or someone I meet on a street. They find a way to behave decently in an indecent society.
I was going to be a journalist. But after the war I studied anthropology, just in order to become educated. I thought it was worth knowing the science of man. I still intended to become a journalist, but there were no jobs, because the reporters who had gone to war were coming back and were entitled to their jobs, and the women who had replaced them were damned if they’d leave, and they shouldn’t have left.
I’m lucky…that I’m free to do art, and presumably to keep my soul growing, by finding something else to do. Participation in the arts--drawing, dancing, and all that--makes the soul grow. That’s why you engage in it. That’s how you grow a soul.
Yes, well, that’s the reason that I don’t want to be in New York any longer. I don’t want to go to parties any more. There are no familiar faces anymore. You know, you go to a party and you hone in on the couple people you know. There are none of those people for me at parties any more. I’ve lost my sister, my brother, my editor, my publisher. It’s a whole generation gone by. Old war buddies of mine, my colleagues, my family.
No. Well, I don’t know. It’s biochemical to be redistributed, certainly.
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Margaret Atwood, J.K. Rowling, David Hare, Judy Blume, Carrie Fisher, Jack Whitehall
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