An idea comes. Scripts are organised ideas. When you read a script, it comes alive in your head. And that aliveness in the head is like seeing it and hearing it and knowing it. Or if an idea comes from outside, boom, you catch it in your brain and you see it and you hear it, and you know it. You sometimes fall in love with these things. All you do in cinema is translate those ideas. They talk to you, so you just stay true to the idea and translate it as good as you can.

I feel some sort of chemistry with the subject.…The bar for me is when it’s interesting enough that I would talk about it on my own time.

I have talkative friends. The core of my friendships are curious people. We talk about life. "What do you think of this? Why do people do that? What do you think is the underlying motivation behind the reason that people do this thing?" Just constantly analyzing life.

It’s completely spatial. I follow Graham on that a lot. I really think that painting is about space and proportions and where things go; it’s what painting is. Form, if it isn’t the right color, it is not in the right place. And you know you can actually change the relationships a lot by changing the color a little. Yesterday, something happened in my studio. I realized that new things come to you all the time when you work in art. I had forgotten that if Graham wanted to make something slightly off-white, he used violet instead of greying it, and it’s really good. So, last night I remembered that, and the painting worked out.

This is something I still have to learn and figure out because I'm not perfect at it yet — but I've learned that just even something as simple as breathing properly can be a really nice form of meditation. Also talking to people about it. I started going to therapy, which has been really helpful just to get it out. Of course for me as a songwriter, writing helps. So does taking things a day at a time and stopping to just breathe because I'm a person who really thinks so far in advance all the time.

It’s the world that's messed up, and it’s the world’s twisted view of what beauty should be. They need to change, it’s never you.

Yeah, I think I would’ve talked to people more and learned more. Throughout my high school years I was very quiet, I didn’t have many friends. I distanced myself from a lot of people. I don’t know why, I don’t really think there was a particular reason, just my personality—I didn’t really try to make friends or talk to people outside of the two people that I talked to, you know what I mean? I would’ve definitely tried to make more friends and not worry what people would think of me if I talked to them. And learn a lot more, ask more questions, and absorb as much as I could. I definitely tried, but I don’t know if tried hard enough.

That’s a good way of looking at it. It’s me talking to myself, reminiscing on childhood and things I was told as a kid. Just wanting to stay a certain age and not have to grow up—that’s something I’ve always been afraid of.

People think that to be a pop star you have to look a certain way. I want to show people that there’s an alternative.

It was very challenging at first, as I came straight out of high school where my lifestyle was so different to that of a professional musician. I lived such a secluded life – I went from school to home, school to home, and never travelled anywhere. I hadn’t figured out who I was, as I hadn’t explored anything yet. To jump into the completely opposite lifestyle so quickly and so young was difficult – I was very afraid, and didn’t know how to say no.