It comes out of an intuition, or a learned intuition, I guess. You study a long time ’til you can do it. But it’s from looking around you, it’s from understanding what’s happening in the culture, what’s happening in the world.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
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Others on this question
View all 34 →People tell me that I work hard. I never feel that I do particularly, because it’s fun. I always say, “Well, I’ve never worked hard in my life.” I’m busy, but most of what I do is enjoyable. It isn’t that it’s not tedious to some people, and so on, and of course I have routine to do, but I don’t mind it. I just don’t feel that I’m put upon. I spend a lot of time, but it’s fun. It’s a very intensive hobby. I would say it’s my most serious hobby. I have lots of hobbies, but the one permanent one is science, physics. So yes, I spend a lot of time, and I would agree with Edison, you have to work very hard and intensively.
I did it because that’s what it was going to take. I really wanted it. I had an older brother, and he was bigger and smarter, and when you’re a kid, you’re trying to catch up all the time. I think that that’s where it kind of came from, just that little brother syndrome. I was just trying to be something, trying to make myself worth something. It was proving it to other people and proving it to myself at the same time. I needed that.
I don’t remember which writer said this, but in an interview, a prolific novelist was asked, “Do you write only when you’re inspired, or do you write all the time? Do you wait for the muse, or do you just kind of knock it out? You can just sort of spin it out?” And he said, “Well, I do wait for the muse. I write when the muse comes, but fortunately she shows up, like me, every day at 9:00 a.m.
More from Ephraim Asili
View profile →Most of what I do is just managing feelings, emotions, and thoughts
she convinced me to use a Bolex. Then suddenly I got obsessed
I tried to get funding to shoot this film and couldn’t—nobody wanted to touch it, you know?
I finished it only to get on set and start re-writing everything.
My fear, my anxiety, that I’m grappling with in this film, is that if we’re not able to struggle with the domestic things
I would say start off small, build from there.
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