In every way at every turn, the question we ask ourselves is not what can we do, but what should we do?.”

A good coach is somebody who has a clear concept of what they want and what they love in the game, is capable of expressing it in an understandable way, and is able to obtain it on the football pitch. They're also someone who loves to help others. This means something more than just going out and coaching a session, they really try to understand who a player is and find the key to helping them. All players have different problems, and we have the capacity to help them solve them. That's why this is a very interesting aspect of being a coach, we have the chance to be capable to influence people's lives.

Right. And let’s put Michelangelo in quotes, ’cause was he really the one who actually said that? But, anyway, the idea still holds. I feel that whatever I’m writing exists already. Maybe that’s because of a glitch in the space-time continuum and when I write I’m actually putting my living self behind the present moment in time. Like I’m following something through the woods. Eyes open. Ears open. Heart open. And I’m following a path that is sometimes behind me.

And I acted when the actors didn’t show up. As the director, I knew all the lines and I took over more times than I wanted to. I didn’t know much about directing, but I was the only one willing to do it. Someone had looked around and said, “Who’s going to be the director?” I said, “I will.” I said that because I knew my way around the library. So I went to look for a book on how to direct a play. I found one called The Fundamentals of Play Directing and checked it out. I didn’t understand anything in it. It was all about form and mass and balance. I flipped through the book and there in Appendix A I discovered what to do on the first day of rehearsal. It said, “Read the play.” So I went to the first rehearsal very confidently and I said, “Okay, this is what we’re going to do. We’re going to read the play.” We did that. Now what? I hadn’t got to Appendix B. So I said, “Let’s read the play again.” That night I went back to the book and sort of figured out what to do from that point on.

His name is Barry Humphries but you may be more familiar with him from his character, Dame Edna, a self-styled international superstar. I’d say he’s hitting pretty close to the genius description because back in the 1950s, he asked cultural questions that others neglected to ask or even consider.

In the series I’ve got massive slabs of dialogue so I had to understand the scientific principles involved and then fake it to credibility.

we are bashed by the media who say we should compete with Hollywood.

They wanted it for its artistic value. I found that deeply moving.

I tend to shape my life through aesthetic principles rather than economic ones – I’ve never been very good at maths.

You now have to address the fact that we might live in so-called wealthy countries at the expense of people who live in poor countries. Our wealth is maybe dependent on somebody else from the poverty side of the equation, suffering on our behalf.