Well, I saw Mies van der Rohe and then I was introduced to Shiro Kuramata’s work and that brought me even further into this world. I’m interested in everything. I mean, Peter Zumthor is obviously very talented, he does interesting work — but I don’t study my contemporaries in architecture and design so much.
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The Paris Review, to novelists and poets, The Art of Fiction
A durable Art of Fiction question asked through named literary influences and artistic models.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
David Greene, Talk of the Nation, NPR, 2 October 2012 source ↗
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View all 50 →I wrote a little book called Screening History , in which I go in great detail into the movies that affected me growing up. This was in the years of puberty, and so on. The Prince and the Pauper , based on Mark Twain’s novel with the Mauch twins in it. All of the propaganda films I loved, because they were political.
Well, if I had studied theater, I would not be making the kind of theater that I’m making. My theater came about by living. My first play that had text was written with another 13-year-old young man named Christopher Knowles who spent 11 years of his life in an institution for brain damaged children and was composing text that were arranged mathematically and had to do with geometry. I was fascinated by his mind and the way he was putting words together. Not only was it interesting to hear, but it was also very interesting to see. It wouldn’t be necessarily right for someone else, but for me it was something I was drawn to. It came about by living, not by reading a book.
During the ’80s, when I was in college, on the American side, it was Robert DeNiro in Taxi Driver, Robert Duvall and Martin Sheen in Apocalypse Now, Christopher Walken, John Savage, John Cazale, etc. All of those guys – I was blown away by the emotional impact and sincerity of their performances. And then of course, in the UK, I was going to a lot of theater at the time and watching great on stage performances from people like Jonathan Price, Albert Finney, Anthony Hopkins – all of whom really influenced me as well.
More from Arnold Schwarzenegger
View profile →Spending time with my family—with no phone, no fax, and no meetings.
Well, maybe it was successful in the end. But, I mean, to get there - one of the things that I talk about is not to be afraid of failure because you're going to fail. And I was 19 years old. I was competing in the Mr. Universe contest, and I lost. I had movies that went in the toilet. I have had policy issues and referendums that went in front of the people that I lost. And, of course, in my personal life, you know, my marriage is a big loss. So there's a lot of losses and failures that I've had. And I think that it is important that we recognize that. But no matter what it is, I always had an exciting life and always chased something, and that made, to me, the whole thing worth it. I always felt I was enriched by the fact that I always knew where I was going. And then there were some things that were unexpected. Like, running for governor was something that kind of unfolded only because there was a recall election.
My mother-in-law, Eunice Shriver, who founded the Special Olympics, and my father-in-law, Sargent Shriver, who founded Job Corps and was the first director of the Peace Corps.
It's just, I would say, faith. I had very clear visions of me being a champion. When I saw this picture of Reg Park on a cover, standing there like - as Hercules, from the Hercules movies, I looked at that, and then I looked at the inside and I read the story, and I immediately started creating visions of me standing there on the pedestal at the Mr. Universe contest and me being Hercules and me doing movies and so on. And that created such unbelievable drive and such unbelievable will and discipline, that there was absolutely no stopping me. I mean, I went to the gym two hours every day lifting weights. When I came home afterwards, I lifted an extra hour and a half and did bodybuilding training, and it was just relentless.
My father would make sure that I knew what it meant. Just to give you an example, I started bodybuilding with the age of 15, and my father would say, why are you lifting these dumbbells and barbells? Don't you think it would be better to just go out and chop some wood and shovel some coal for some poor people that don't have anyone? Therefore you would get muscles. But at the same time, you're doing something useful. You're doing something for somebody rather than just for yourself and looking in a mirror at yourself and stuff like that. So he would make sure that you knew what being useful meant.
People who speak with heavy American accents. I can barely understand them. No, seriously, dishonesty.
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